“Oh, my dear! she has gone mad with grief,” said Mr. Charles. “May, my
bonnie May, cry, break your heart, anything would be better than this.”
“I am not mad, I am glad. Thank God!” repeated Marjory. She suffered
them to take her in, with a calm which frightened them all. Thus the
chief actors, in all the excitement of a terrible crisis, went their way
off the scene like a tragic procession, carrying with them their
atmosphere of pain and trouble; and like the change in a theatre,
another set of sentiments, another group of persons, came uppermost.
Miss Bassett was left in possession of the lawn. She had received a
shock, but she felt better already, and she was a curious little
personage. She watched them go in, making her own observations,
especially in respect to Fanshawe, whose presence struck her feminine
eye at once. Who was he? engaged to Miss Heriot, she concluded; it was
the most natural explanation. Then she went across the lawn to the edge
of the cliff and looked over; then made a turn or two up and down,
putting up an eye-glass to her eye, inspecting the house. The house was
very satisfactory; it had an air of old establishment, wealth, and
comfort that pleased her.
“Only I would clear away all these old ruins,” she said, turning her
glass upon the tall old Manor-house of Pitcomlie, and Mr. Charles’s
tower, “and throw out a new wing,” she added, putting her head a little
on one side, “with a nice sheltered flower-garden and conservatories.”
This notion pleased her still more. “What a different place it would
look,” she continued musing, “if I had it in my hands; I would clear
away all the old rubbish, I would make a handsome entrance with a
portico and steps. I would soon make an end of all those little
old-fashioned windows, and have plate-glass everywhere. Dear me, dear
me, what a pity poor Charlie was not the eldest son!”
Public-domain text, read in full here on John Shaqi.
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