“To fill Tom’s place!” said Marjory, with an outburst of sudden tears.
“Oh, my little Milly, that is what we do even when we love best. My
father is breaking his heart for Tom; yet he wants Charlie to fill Tom’s
place.”
“Nobody could ever fill _your_ place, May,” cried Milly; “I would never
let them; dinna cry. I could cry too, for papa never minds me, never
looks at me; and oh, he’s so strange; the house is so strange! but May,
so long as there is you--”
The little girl’s arms clinging round her neck were a comfort to
Marjory. Little Milly was wounded too; she had received that first
lesson of her own unimportance, which is hard even for a child; she was
half indignant, half angry even with “poor Tom,” though she cried at the
sound of his name--and very sore about Charlie, whom everybody wished
for.
“They have May, and what do they want more?” this faithful little maiden
said to herself. “When Tom was living we never saw him; and nobody ever
thought of Charlie. Why do they make such a fuss now? when they have
May!”
Fanshawe went with Mr. Charles to his room. After the scene of the
morning he felt sadly out of place, an intruder into the family life. It
seemed to him that he ought to go away; and only the day before he had
felt the tediousness of the existence so much that any excuse for going
away would have seemed a godsend; but yet, at the same time, he felt
that he did not want to go. Why, he could not have told; he seemed to
have been caught in the web of this family’s life, to be waiting for
some _dénouement_ or for some new turn in the story. He had known
nothing of them two weeks before; yet now he was a member of the
household, a spectator of the father’s misery, of the effort of the
family to right itself after this terrible blow. They seemed all to be
playing their parts before him, while he was the judge chance had
appointed to decide how they all fulfilled their _rôle_. With this
curious sensation in his mind he went over Mr. Charles’s treasures--his
prints, his cabinets of coins, his little collection of old jewellery,
which he had ranged in boxes under glass covers. “Here is a necklace
that I sometimes lend to May,” the old man said, pointing out a delicate
circlet in fine enamel, and the lightest fairy goldsmith’s work. “It was
brought to her great grandmother, Leddy Pitcomlie, from Rome, in the
beginning of last century, and is said to have belonged to a line of
great Italian beauties, whom I need not name. They’re all written out on
the case. I can recollect seeing it on the old Leddy’s withered neck.”
“Then you had a title in the family in those days?”
Public-domain text, read in full here on John Shaqi.
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