Mazes and Labyrinths: A General Account of Their History and DevelopmentMatthews, W. H.
History
Mazes and Labyrinths: A General Account of Their History and Development
Matthews, W. H.
Labyrinths; Maze gardens
[Illustration: Fig. 108. Gunterstein. Plan of Gardens, showing Maze.
(N. Visscher, 1719)]
[Illustration: Fig. 109. Gardens at Loo, Holland, with Mazes. (W.
Harris, 1699.)]
As regards Italy, we read that even the Pope himself, Clement X,
took pleasure in watching the endeavours of his domestics to extricate
themselves from the maze of tall box hedges which adorned his garden at
Altieri. Evelyn, in 1646, describing his visit to Vicenza, remarks of
the gardens of Count Ulmarini, or Vilmarini, outside the town, "Here is
likewise a most inextricable labyrinth."
Sir Philip Skippon, describing his own visit to Vicenza in 1663, refers
to the gardens as those of Count Valmarana, and mentions "a labyrinth
of myrtle hedges." Skippon also speaks of labyrinths in the gardens of
the Duke of Bavaria at Munich.
The Dutch gardeners made a great feature of the _doolhof_, typical
examples being those at the Duke of Portland's château at Sorgvliet,
near the Hague, at Gunterstein (Figs. 107 and 108), and at the Palace
of Loo, the Dutch home of William and Mary (Fig. 109). Our illustration
of the last-named is taken from Dr. W. Harris's book "The King's
Palace and Gardens at Loo" (1699). It will be seen that the maze to
the left is described as a "wilderness," as is also the structure to
the extreme right, but whereas the latter certainly presents little
of a labyrinthine appearance, the former is evidently a hedge maze,
although perhaps loosely drawn. Harris uses the terms "maze" and
"wilderness" interchangeably. He says that the King's labyrinth was
formed of clipped hedges with sandy walks between, while the Queen's
was decorated with fountains and statues. William the Third exercised
his taste for this kind of embellishment also in the grounds of his
English palaces. His gardeners, George London and Henry Wise, have left
us one which, although of no great complexity, has become world-famous,
namely, the specimen which forms part of the "Wilderness" in the
gardens of Hampton Court Palace.
CHAPTER XV
THE TOPIARY LABYRINTH, OR HEDGE MAZE (_continued_)
The Hampton Court maze (Fig. 110) was constructed in 1690 and in all
probability displaced an older maze, a relic of Wolsey's time. The maze
is situated close to the Bushy Park entrance. Defoe speaks of it as a
"labrynth," and tells us that the "Wilderness," of which it forms part,
replaced the old orchard of the palace.
It is of no great complexity, but, as may be seen from Fig. 111, is of
a neat and symmetrical pattern, with quite sufficient of the puzzle
about it to sustain interest and to cause amusement but without a
needless and tedious excess of intricacy. The area occupied by it is
rather more than a quarter of an acre--not a great amount of space, but
enough to accommodate about half a mile of total pathway. The longest
side of the maze measures 222 ft.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account