American literature -- Periodicals; Literature -- Periodicals
_Dear Mr. McClure_: I am in receipt of your picture of Lincoln. Having
seen Mr. Lincoln in the war time, I have not been so dependent upon
photographs and engravings as have most of the men of my generation
for an impression of Mr. Lincoln's personality. I can, however, say
that the present picture has distinctly helped me to understand the
relation between Mr. Lincoln's face and his mind and character, as
shown in his life's work. It is, far away, the most interesting
presentation of the man I have ever seen. To my eye it _explains_ Mr.
Lincoln far more than the most elaborate line-engraving which has been
produced.
Very truly yours,
FRANCIS A. WALKER.
* * * * *
FROM CHARLES DUDLEY WARNER.
HARTFORD, _October 24, 1895._
_My Dear Mr. McClure_: The engraving you sent me of an authentic
picture of Abraham Lincoln is of very great interest and value. I wish
the date could be ascertained. The change from the Lincoln of this
portrait to the Lincoln of history is very marked, and shows a
remarkable development of character and expression. It must be very
early. The deep-set eyes and mouth belong to the historical Lincoln,
and are recognizable as his features when we know that this is a
portrait of him. But I confess that I should not have recognized the
likeness. I was familiar with his face as long ago as 1857, '58, '59.
I used often to see him in the United States Court room in Chicago,
and hear him, sitting with other lawyers, talk and tell stories. He
looked then essentially as he looked when I heard him open in Chicago
the great debate with Douglas, and when he was nominated. But the
change from the Lincoln of this picture to the Lincoln of national
fame is almost radical in character, and decidedly radical in
expression.
For the study of the man's development, I think this new old portrait
has a peculiar value.
Yours sincerely,
CHAS. DUDLEY WARNER.
End of the Project Gutenberg EBook of McClure's Magazine December, 1895
Edited by Ida M. Tarbell
Public-domain text, read in full here on John Shaqi.
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