McClure's Magazine, Vol. 1, No. 5, October 1893Various
General
McClure's Magazine, Vol. 1, No. 5, October 1893
Various
American literature -- Periodicals; Literature -- Periodicals
Alice Bronte also span nearly all the garments which she wore, and her
tall and comely daughters after her were dressed in clothes which
their own hands had taken from the fleece.
On principle, as well as from necessity, the Brontes wore woollen
garments, and the vicar carried the same taste with him to England,
where his dislike of everything made of cotton was attributed by his
biographer to dread of fire. The absurd servants' gossip as to his
cutting up his wife's silk gown had possibly a grain of truth in it,
owing to his preference for woollen garments; but the atrocity spun
out of the gossip by Mrs. Gaskell was probably an exaggeration of an
innocent act. At any rate, the old man characterized the statement, I
believe truly, by a small but ugly word.
All the Brontes, father, mother, sons, and daughters, to the number of
twelve, were clad in wool, and they were the healthiest, handsomest,
strongest, heartiest family in the whole country. They were a standing
proof of the excellency of the woollen theory, and it is interesting
to note how Hugh Bronte's theory and practice have received approval
in our own day. For a time the Brontes had to look to others to weave
their yarn into the blankets and friezes that they required, but
Patrick was taught to weave as soon as he was able to throw the
shuttle and roll the beam, and then his father's house manufactured
for themselves everything they wore, from the raw staple to the
gracefully fitting corset.
Even the scarlet mantle for which "Ayles" Bronte is still remembered
in Ballynaskeagh was carded, spun, knitted, and dyed by Mrs. Bronte's
own hands. The spirit of independence manifested by the Brontes in
England was a survival of a still sturdier spirit that had had its
origin in one of the humblest cabins in County Down.
As time passed Hugh Bronte became a famous ditcher. There is a very
old man called Hugh Norton, living in Ballynaskeagh, who remembers him
making fences and philosophizing at the same time. It is very probable
that the introduction of corn-kilns constructed of burnt pottery may
have left him without custom for his straw-mat kiln, just as the
introduction of machinery at a later period left the country
hand-looms idle.
In Hugh Bronte's time more careful attention began to be given to the
land. Bogs were drained, fields fenced, roads constructed, bridges
made, houses built, with greater energy than had ever been known
before, and, although the landlord generally raised the rent on every
improvement effected by the tenant, the wave of prosperity and
improvement continued. Hugh Bronte was a good, steady workman, and
found constant employment, and at that time wages rose from sixpence
per day to eightpence and tenpence. The sod fences made by him still
stand as a monument of honest work, and there are few country
districts where huntsmen would find greater difficulty with the fences
than in Emdale and Ballynaskeagh.
Public-domain text, read in full here on John Shaqi.
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