McClure's Magazine, Vol. 1, No. 5, October 1893Various
General
McClure's Magazine, Vol. 1, No. 5, October 1893
Various
American literature -- Periodicals; Literature -- Periodicals
Miss Nussey had opportunities for observing the Bronte girls that no
other person had. She became Charlotte's friend at school, when both
were homesick and needed friends. She continued to be her fast friend
through life. Gentle Anne Bronte died in her arms, and she was
Charlotte's true consoler when the heroic Emily passed swiftly away.
She early discovered the ring of genius in Charlotte's letters, and
preserved every scrap of them, and it is chiefly through those letters
that the Brontes are known in England. She was Charlotte's confidante
in all private transactions and love matters, and she might have been
a nearer friend still had Charlotte not refused an offer of marriage
from her brother--an incident in the novelist's life here for the
first time made public.
Miss Nussey was not only Charlotte's devoted friend, but she was a
constant visitor at Haworth, and a keen observer. She had a great
power of discernment in literary matters, and a very considerable
literary gift herself. She had not to wait till "Jane Eyre" and
"Wuthering Heights" were published to learn that Charlotte and Emily
Bronte were endowed with genius. We owe it to her penetrating sagacity
that we know so much of the vicar's daughters. She watched their
growth of intellect and everything that ministered to it, and she
believes firmly that the girls caught their inspiration from their
father, and that Emily got not only her inspiration but most of her
facts from her father's narratives.[4]
[4] Swinburne, in his "Note on Charlotte Bronte," has alone had the
poetic insight and artistic instinct to discern this fact. He is
right when he says, "Charlotte evidently never worked so well as
when painting more or less directly from nature.... In most
cases, probably, the designs begun by means of the camera were
transferred for completion to the canvas."
Swinburne, however, falls short in discernment, when, in
contrasting Charlotte with her sister, he says: "Emily Bronte,
like William Blake, would probably have said, or at least
presumably have felt, that such study after the model was to her
impossible--an attempt but too certain to diminish her
imaginative insight and disable her creative hand."
Surely the highest imaginative insight and deftest creative hand
work from the model, nature, but the result is not a mere
portrait of the model.
Public-domain text, read in full here on John Shaqi.
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