"I hates to fool with cattle," he admitted, "'specially these here Texas
brutes that spread out, leavin' tracks all over the flat, and they can't
make time just off green grass. Gimme horses--but horses ain't safe right
now, with the Injuns riled up. Now, you start out and gather up what you
can, and hold 'em here till I get back. I'll go to the ranch and get a
little grub together and get here as quick as it's safe."
Smith galloped back to the ranch, to learn that Dora had ridden to the
Agency to spend the day. He was keenly disappointed that he had missed the
opportunity of saying good-by. She had chided him before for not telling
her of his contemplated absence, and he had promised not to neglect to do
so again; for she was in the habit of arranging the table for her
night-school and waiting until he came. Then it occurred to Smith that he
might write. He was delighted with the idea, and undoubtedly Dora would be
equally delighted to receive a letter from him. It would show her that he
remembered his promise, and also give her a chance to note his progress.
Since Smith had learned that a capital letter is used to designate the
personal pronoun, and that a period is placed at such points as one's
breath gives out, he had begun to think himself something of a scholar.
His enthusiasm grew as he thought of it, and he decided that while he was
about it he would write a genuine love-letter.
Borrowing paper, an erratic pen, and ink pale from frequent watering, from
a shelf in the living-room, he repaired to the dining-room table and gave
himself up to the throes of composition.
Bearing in mind that the superlative of dear is dearest, he wrote:
Dearest Girl.
I have got to go away on bizness. I had ought to hav said good-by but
I cant wate till you gets back so I thort I wold write. I love you. I
hates everyboddy else when I think of you. I dont love no other woman
but you. Nor never did. If ever I go away and dont come back dont
forget what I say because I will be ded, I mean it. I will hav a stak
perty quick then I will show you this aint no josh. You no the rest,
good-by for this time.
Smith.
The perspiration stood out on his forehead, and he wiped it away with his
ink-stained fingers.
"Writin' is harder work nor shoein' a horse," he observed to Ling, and
added for the Indian woman's benefit, "I'm sendin' off to get me a pair of
them Angory saddle-pockets."
Public-domain text, read in full here on John Shaqi.
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