Meadow Grass: Tales of New England LifeBrown, Alice
General
Meadow Grass: Tales of New England Life
Brown, Alice
New England -- Social life and customs -- Fiction
The announcement ended with the insinuating alliteration, "Popular
prices prevail." The very first night, we were at the door, an excited
crowd, absolutely before it was open; but early as we went, the
hospitable pianist held the field before us; the hall resounded with
his jocund banging at the very moment when the pioneer among us set
foot within. I have never seen anywhere, either on benefit or farewell
night, a cordiality to be compared with that which presided over our
own theatre in Tiverton Hall. Mr. Van Rensellaer Wilde himself stood
within the doorway, to greet us as we came; a personable man, with the
smooth, individual face of his profession, a moist and beery eye, a
catholic smile, tolerant enough to include the just and the unjust, a
rusty, old-fashioned stock, and the very ancientest brown Prince Albert
coat still in reputable existence,--a strange historical epitome of
brushings and spongings, of camphor exile and patient patching. Quite
evidently he was not among the prosperous, even in his stellar world.
But not for that would he repine. This present planet was an admirable
plot of ground, and here he stood, cheerfully ready to induct us, the
Puritan-born, into the fictitious joys thereof. And popular prices
prevailed; the floor of the hall itself confirmed it. It was divided,
by chalk-lines, into three sections. Enter the first division, and a
legend at your feet indicated the ten-cent territory. Advance a little,
and "twenty-five cents" met the eye; and presently, approaching the
platform, you were in the seats of the scornful, thirty-five cents
each. The latter, by common consent, were eschewed by the very first
comers, not alone for reasons of thrift, but because we thought they
ought to be left for old folks, "a leetle mite hard o' hearin'," or the
unfortunates who were "not so fur-sighted" as we. So we seated
ourselves in delight already begun, for was not Mr. Gad Greenfield
performing one of the "orchestral pieces" which the programme had led
us to expect? The piano was an antique, accustomed to serve as victim
at Sudleigh's dancing-school and sociables. I have never heard its
condition described, on its return to Sudleigh; I only know that, from
some eccentric partiality, Gad Greenfield's music was all _fortissimo_.
Sally Flint, brought thither by the much-enduring overseer, for the
sake of domestic peace, seemed to be the only one who did not regard
Gad's performance with unquestioning awe. She was heard to say aloud,
in a penetrating voice,--
"My soul an' body! what a racket!"
Whereupon she deliberately pulled some wool from the tassel of her
chinchilla cloud, and stuffed a little wad into each ear. We were sorry
for the overseer, thus put to shame by his untutored charge, and
delicately looked away, after making sure Sally had "r'ared as high" as
she proposed doing. She was the overseer's cross; no one could help him
bear it.
Public-domain text, read in full here on John Shaqi.
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