Meadow Grass: Tales of New England LifeBrown, Alice
General
Meadow Grass: Tales of New England Life
Brown, Alice
New England -- Social life and customs -- Fiction
"Do you s'pose there's any on 'em sick down to young Nat's?" asked Aunt
Melissa; and Amanda was obliged to take recourse again to her shielding
"I guess not." But at length Uncle Hiram drove up in the comfortable
carry-all; and though his determined spouse detained him more than
three-quarters of an hour, sitting beside him like a portly
Rhadamanthus, and scanning the horizon for the Caleb who never came, he
finally rebelled, shook the reins, and drove off, Aunt Melissa meantime
screaming over her shoulder certain vigorous declarations, which
evidently began with the phrase, "You tell Kelup--"
Then Amanda went into the house, and sat down by the window in the
gathering dusk, surveying the wreckage of her dream. The dream was even
more precious in that it had grown so old. Caleb was a part of her
every-day life, and for fifteen years Saturday had brought a little
festival, wherein the commonplace man with brown eyes had been
high-priest. He would not come to-night. Perhaps he never would come
again. She knew what it was to feel widowed.
Sunday passed; and though Caleb fed the pigs and did the barn-work as
usual, he spoke but briefly. Even in his customary salutation of "How
dee?" Amanda detected a change of tone, and thereafter took flight
whenever she heard his step at the kitchen door. So Monday forenoon
passed; Caleb brought water for her tubs and put out her clothes-line,
but they had hardly spoken. The intangible monster of a
misunderstanding had crept between them. But when at noon he asked as
usual, though without looking at her, "Goin' to Sudleigh with the
butter to-day?" Amanda had reached the limit of her endurance. It
seemed to her that she could no longer bear this formal travesty of
their old relations, and she answered in haste,--
"No, I guess not."
"Then you don't want I should set with your mother?"
"No!" And again Caleb turned away, and plodded soberly off to young
Nat's.
"I guess I must be crazy," groaned poor Amanda, as she changed her
washing-dress for her brown cashmere. "The butter's got to go, an' now
I shall have to harness, an' leave ma'am alone. Oh, I wish Aunt
Melissa'd never darkened these doors!"
Everything went wrong with Amanda, that day. The old horse objected to
the bits, and occupied twenty minutes in exasperating protest; the
wheels had to be greased, and she lost a butter-napkin in the well.
Finally, breathless with exertion, she went in to bid her mother
good-by, and see that the matches were hidden and the cellar door
fastened.
"Now, ma'am," she said, standing over the little old woman and speaking
with great distinctness, "don't you touch the stove, will you? You jest
set right here in your chair till I come back, an' I'll bring you a
good parcel o' pep'-mints. Here's your garter to knit on, an' here's
the almanac. Don't you stir now till I come."
And so, with many misgivings, she drove away.
Public-domain text, read in full here on John Shaqi.
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