Meadow Grass: Tales of New England LifeBrown, Alice
General
Meadow Grass: Tales of New England Life
Brown, Alice
New England -- Social life and customs -- Fiction
Amanda set her lips, and went about her work. From time to time, she
smiled mechanically at her mother; and the old lady, forgetful of her
grief now that she was no longer reproached by the empty space on, the
wall, sat content and sleepy after her emotion. She was willing to go
to bed early; and when Amanda heard her breathing peacefully, she sat
down by the kitchen window to wait. The dusk came slowly, and the
whippoorwill sang from the deep woods behind the house.
That night at ten o'clock, Caleb Rivers was walking stolidly along the
country road, when his ear became aware of a strangely familiar
sound,--a steadily recurrent creak. It was advancing, though
intermittently. Sometimes it ceased altogether, as if the machinery
stopped to rest, and again it began fast and shrill. He rounded a bend
of the road, and came full upon a remarkable vision. Approaching him
was a wheelbarrow, with a long object balanced across it, and, wheeling
it, walked a woman. Caleb was nearly opposite her before his brain
translated the scene. Then he stopped short and opened his lips.
"'Mandy," he cried, "what under the heavens be you a-doin'?"
But Amanda did not pause. Whatever emotion the meeting caused in her
was swiftly vanquished, and she wheeled on. Caleb turned and walked by
her side. When he had recovered sufficiently from his surprise, he laid
a hand upon her wrist.
"You set it down, an' let me wheel a spell," he said.
But Amanda's small hands only grasped the handles more tightly, and she
went on. Caleb had never in his life seen a necessity for passionate
remonstrance, but now the moment had come.
"'Mandy," he kept repeating, at every step, "you give me holt o' them
handles! Why, 'Mandy, I should think you was crazy!"
At length, Amanda dropped the handles with a jerk, and turning about,
sat down on the edge of the wheelbarrow, evidently to keep the right of
possession. Then she began to speak in a high, strained voice, that
echoed sharply through the country stillness.
"If you've got to know, I'll tell you, an' you can be a witness, if you
want to. It won't do no hurt in a court o' law, because I shall tell
myself. I've gone an' got our clock an' our coverlids from where they
were stored in the Blaisdells' barn. The man's got his money, an' I've
took our things. That's all I've done, an' anybody can know it that's a
mind to."
Then she rose, lifted the handles, and went on, panting. Caleb walked
by her side.
"But you ain't afraid o' me, 'Mandy?" he said, imploringly. "Jest you
let me wheel it, an' I won't say a word if I never set eyes on you
ag'in. Jest you let me wheel, 'Mandy."
"There ain't anybody goin' to touch a finger to it but me," said
Amanda, shortly. "If anybody's got to be sent to jail for it, it'll be
me. I can't talk no more. I 'ain't got any breath to spare."
But the silence of years had been broken, and Caleb kept on.
Public-domain text, read in full here on John Shaqi.
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