Mediæval London, Volume 1: Historical & SocialBesant, Walter
History
Mediæval London, Volume 1: Historical & Social
Besant, Walter
London (England) -- History -- To 1500; London (England) -- Social life and customs -- To 1500
will not touch, for he lives on bread and water: sick or well, he will
never leave this cell till they find him lying dead on the floor and
carry him out. And when the cell is empty there will be no difficulty
in finding a successor to occupy his place and fulfil the same dreary
austere life.
Let us leave the church and pass on. The street is very narrow, but
not so narrow as some. The houses, which are for the most part two and
three stories high, are gabled, and the windows are glazed: many of
them, such as those on Labour in Vain Hill, do not contain shops but
are what we should call private houses, some are let for lodgings to
those who come to town on business; and when the lodger is an _armiger_
or a noble, he hangs his scutcheon out of the window, or fixes it
on the wall above the door. Thus, Chaucer’s attention, you will
remember—see that famous lawsuit tried but the other day, Scrope _v._
Grosvenor—was first called to the doubtful heraldry on the Grosvenor
shield by seeing the scutcheon hanging out of the window in Friday
Street. The houses are not in line, but are placed as the builders
choose, fronting in various directions and abutting at different depths
on the street. Here is a narrow court leading out of the street, it
is so narrow that a man standing in the middle can easily touch
each side. It contains about a dozen small tenements inhabited by
craftsmen, who are all at work in the ground-floor rooms, which are
at once workshop, kitchen, and sleeping-room. All about, in the air,
one hears the continual noise of work, the sound of hammering, sawing,
grating, the ringing of the anvil, the voices of women who quarrel and
scold. Now and then rises, all in a moment, without warning, a sudden
brawl between two of the working men, at once knives are drawn and in
a moment the thing is over, but it leaves a little pool of blood in
the middle of the street, and a woman binds up a bleeding arm. We have
seen enough of the court. Come back into the street. Here is a gateway
and over it a gatehouse, but without battlements or portcullis. Two or
three men-at-arms are hanging about the gate, and within is a broad
square court in which boys, pages practising tilting, are riding about.
There are buildings on all four sides; one of these is a stately hall
with a lofty roof and lantern, and the others are noble buildings. This
is the town house of a great Baron, who rides with a following of three
hundred gentlemen and men-at-arms, and owns manors broad, rich, and
numerous. He maintains five hundred people, at least, in his service.
Next, there is another gateway and another court with another hall, but
not so great. This is the town house of the Bishop of Hereford. There
is no tilting or riding in his court: it is, on the other hand, turned
into a garden with roses and lilies blossoming in the flower-beds, a
fountain sparkling in the sunshine and splashing musically. There is a
Public-domain text, read in full here on John Shaqi.
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