Mediæval London, Volume 2: EcclesiasticalBesant, Walter
History
Mediæval London, Volume 2: Ecclesiastical
Besant, Walter
London (England) -- History -- To 1500; London (England) -- Social life and customs -- To 1500
“In the nave of the church was erected a fort, ‘castellum,’
representing the house at Emmaus where the two travellers entered
and broke bread with Christ. At the appointed time two priests, ‘of
the second seats,’ appointed for the day, came forth from the vestry
singing the hymn which begins ‘Jesu, nostra redemptio.’ They were to
be dressed in tunics, ‘et desuper cappis transversum,’ were to have
long flowing hair and beards, and were each to carry a staff and scrip.
Singing this hymn, and slowly marching down the right aisle, they came
to the western porch, where they put themselves at the head of the
procession of choristers waiting for them, and all began together to
sing, ‘Nos tuo vultu saties.’ Then the priest for the day, robed in
alb and surplice, bare-footed, carrying a cross on his right shoulder,
advanced to meet them, and ‘standing suddenly before them,’ asked,
‘What manner of communications are these that ye have one to another as
ye talk and are sad?’ To which the two pilgrims replied, ‘Art thou a
stranger in Jerusalem, and hast not known the things which are come to
pass there in these days?’
‘What things,’ asked the priest. ‘Concerning Jesus of Nazareth,’ they
replied, with the words which follow. ‘Oh, fools!’ said the priest,
‘and slow of heart to believe all that the prophets have spoken.’ And
then, feigning to retire, the priest would there have left them, but
they held him back, and pointing to the ‘castellum,’ entreated him to
enter, singing, ‘Abide with us for it is towards evening and the day
is far spent.’ Then singing another hymn, they led him to the ‘Fort of
Emmaus,’ which they entered, and where they sat down at a table already
spread for supper. Here the priest brake bread sitting between them,
and being recognised by this act for the Lord, ‘suddenly vanished out
of their sight.’ The pilgrims, pretending to be stupefied, arose and
sang sorrowfully (_lamentabiliter_) ‘Alleluia,’ with the verse, ‘Did
not our hearts burn within us, while he talked with us by the way, and
while he opened to us the Scriptures?’ Singing this twice they walked
to the pulpit, where they sang the verse, ‘Dic nobis Maria.’ After
this, another priest, dressed in a dalmatic and surplice, with head
muffled up like a woman, came to them and sang, ‘Sepulcrum Christi
Angelicos testes.’ He then took up a cloth from one place, and a second
from another place, and threw them before the great door of the choir.
And (the directions conclude) then let him sing, ‘Christ has risen,’
and let the choir chaunt the two other verses which follow, and let the
women and the pilgrims retire within: and the memory of this act being
thus recalled, let the procession return to the choir, and the vespers
be finished.”
[Illustration: WILSDON, MIDDLESEX]
Public-domain text, read in full here on John Shaqi.
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