Mediæval Military Architecture in England, Volume 2 (of 2)Clark, George Thomas
History
Mediæval Military Architecture in England, Volume 2 (of 2)
Clark, George Thomas
Architecture -- England; Architecture, Medieval; Military architecture
The basement of the gatehouse is at the ground level. On each side of
the passage are two chambers, those in front occupying the half-round
projection and looped to the field. They are entered from the chambers
in the rear, which are rectangular, having shoulder-headed doors
from the passage and into the well-stairs. The northern chamber
has a fireplace in the south-east angle. The two southern chambers
communicate through a large arch, the northern through a doorway only.
There are also two upper floors, divided as these below, and reached
by the two large well-stairs. There are spacious and handsome rooms,
two on each floor, with large windows of two lights in the western or
larger rooms, and in all are fireplaces with stone hoods. The eastern
rooms below are half circles in plan; and above, are polygonal. Between
the lateral rooms and over the entrance passage are two narrow chambers
unequally divided by a cross wall. The eastern is an oratory, with a
small, pointed east window over the entrance gate of the castle, and
near it, in the south wall, is a piscina, which is in the cill of a
small window opening into a small mural chamber, a vestry. There is a
similar chamber, but without the window, in the north wall. Both rooms
are entered from the oratory. As at York, Chepstow, and elsewhere,
this oratory served also as a portcullis chamber, and the floor was
of wood, with traps to allow the passage of the grates when lifted.
The grates were suspended from the vault above, as is still seen. The
other and larger chamber, placed over the western part of the passage,
had also a wooden floor. It had a west window of two lights over the
inner portal, and north of this a round-headed doorway. The portcullis,
if lifted, would have blocked this entrance, and therefore when the
door was opened it was stopped. The machecoule is seen in the window
seat. The upper chambers are not accessible, but they seem similar to
those below, and there is a second oratory above the first, with a
smaller east window—a very unusual arrangement. This floor communicates
laterally with the ramparts of the curtain, and at the junction on each
side is a mural garderobe. On the south side a mural stair descends
to two chambers at different levels, both in the curtain wall. On
the north side the arrangement is rather different. There, the mural
garderobes are supported in part by a projection at the first-floor
level, corbelled out in the angle between the gatehouse and the
curtain, outside, and the vent was probably between the corbels. Above,
at the rampart level, half the thickness of the wall is occupied by a
garderobe chamber, of which the side is broken down. Several of the
chimney shafts are collected in a central group, each shaft having a
bold capital with a plain roll moulding.
Public-domain text, read in full here on John Shaqi.
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