Architecture, Medieval; Church architecture; Vaults (Architecture)
[34] Choisy (Choisy, II, p. 201) thus accounts for the vaults, which
would then be variants of Perigord domes, but the plan and supports of
the pyramids suggest the influence of Le Puy.
[35] Examples in France: Grenoble, Saint Laurent (crypt of the seventh
or eighth century), Germigny, des-Prés (ninth century), etc. Examples
in Italy: Milan, Sant’ Ambrogio (choir of the ninth century), Agliate,
etc.
[36] For illustrations of Romanesque churches and vaults, the reader
is advised to consult Lasteyrie, Dehio and von Bezold, and Enlart.
[37] See also Montmajour (Bouches-du-Rhône); Saint Martin-de-Londres
(Hérault); Saint Pierre-de-Redes (Hérault); Mollèges
(Bouches-du-Rhône), Saint Thomas. See Reber, pp. 337, Figs. 201-202.
[38] Also Lérins (Alpes-Maritimes), Saint Honorat (portion).
[39] Early examples: Saint Genou, choir (end of eleventh century),
Saint Benoît-sur-Loire, choir (begun 1602), Nevers, Saint Étienne.
[40] The double-aisled abbey church of Souvigny, which has a
clerestory, might be cited as an exception to this statement, but
judging from the narrowness of its inner aisles (Fig. 19) it would
appear as if its nave had originally been deprived of direct light,
and that the present clerestory must have been introduced with or
without a vault above it, either before or at the time when the outer
aisles were added. If so, it would not prove an exception to the rule.
The present nave vault is an addition of a late Gothic period.
[41] As in Saint Sernin at Toulouse.
[42] Reber, p. 341, Fig. 205a, and Lasteyrie, p. 413, Fig. 431.
[43] Reber, p. 342, Fig. 260a. See also, Abbaye de Fontfroide, Baudot
and Perrault-Dabot, V, pl. 41.
[44] Found also in St. Paul-Trois-Châteaux, Lasteyrie, p. 412, Fig.
429.
[45] See pp. 13, 14.
[46] Exs., Issoire (Puy-de-Dôme), Saint Paul, see Enlart, I, p. 269,
Fig. 102, or Choisy II, p. 209. Toulouse (Haute-Garonne), Saint
Sernin, see Choisy, II, p. 212. Culhat (Puy-de-Dôme), Ch. Lasteyrie,
p. 250, Fig. 241. Parthenay-le-Vieux (Deux-Sèvres), Notre Dame, ill.
in Choisy, I, p. 205, etc.
[47] Enlart, I, p. 267, Fig. 100 and Lasteyrie, p. 413, Fig. 430.
The clerestory at Vaison is hardly worthy of the name, for its windows
are cut entirely _above_ the imposts of the vault, which is of pointed
section, and therefore does not acquire thickness so rapidly as to
render the windows too deep to admit a reasonable amount of light. The
construction of such a clerestory consists merely in taking advantage
of the pointed form of vaulting without presenting structural
advances. Its windows are necessarily small and deep set and the
system is not a satisfactory solution of the lighting problem.
[48] Revoil, II, pl. XVIII.
[49] Semicircular vaults were sometimes used, however. Example,
Saint Paul-Trois Châteaux (Drome), Cath. (first half of the twelfth
century), Lasteyrie, p. 412, Fig. 429, etc.
[50] Choisy, II, p. 206, Fig. 14.
[51] Enlart, I, p. 268, Fig. 101.
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