Architecture, Medieval; Church architecture; Vaults (Architecture)
But much more important than these smaller chevet vaults, are those of a
number of large churches, also belonging to the second quarter of the
twelfth century. Of these, Saint Germer-de-Fly[360] (Fig. 63) has been
most prominently brought to notice through Mr. Moore’s work on Gothic
architecture. It is doubly of interest because it possesses chevet
vaults of two distinct stages in the development of this new form. Thus
in the original radiating chapels opening off the ambulatory,[361]
three-part chevet vaults of the type described in the previous
paragraph were employed, with this advance, namely the introduction of
stilted, round-headed wall ribs. The vaults are still highly domed at
the crown and it would seem very reasonable to suppose that they were
completed before the vault of the great apse was begun.
[Illustration: FIG. 63.--SAINT GERMER-DE-FLY, ABBEY CHURCH.]
This latter shows an advance in construction beyond that hitherto seen.
In the first place, the entire window is placed above the level of the
impost of the radiants with a consequent raising of the vault surface
above the windows and a great reduction in its domed-up character. The
line of intersection of the vault cell with the apse wall, which is
marked by a slightly pointed, stilted wall rib, resting upon slender
shafts rising from the clerestory string-course, is almost perpendicular
from the impost of the radiants to a point about at their haunch. Thus
the lower portion of the masonry panel is really a flat wall resting
upon the ribs. The object of the builders in thus constructing their
vault panels would seem to have been twofold, first to get a large space
of pleasing shape for clerestory windows and secondly to aid in
overcoming the thrusts of the radiating ribs. The first is perhaps the
less important of the two, for the windows in the early chevets very
rarely occupy all the space beneath the wall intersection. The second,
however, furnishes a much better explanation of this form of panel. And
this explanation would seem to lie, not so much in the fact that the
stilted wall rib concentrated the thrust along a narrow strip of
exterior wall where it could be met by exterior buttresses[362] but
rather in the fact that the weight of such a flat wall, rising
perpendicularly above the radiating rib, practically offset all of their
outward thrusts by its downward pressure while the little which remained
was taken care of by the thick walls characteristic of church
construction in the Transitional period. Thus it is possible to account
for the almost total lack of exterior abutment in such apses as this at
Saint Germer-de-Fly, where only the slenderest of shafts are found along
the exterior wall serving far more for decoration than for
abutment.[363] That the stilting was not done primarily to concentrate
the thrusts is further shown by the fact that in many of the later
Gothic churches which were built long after the flying-buttress was
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