Architecture, Medieval; Church architecture; Vaults (Architecture)
Nevertheless it may have been a feeling on the part of the builders that
there was a lack of abutment to the west of the keystone which led to
the introduction of one or more short ribs at this point in a number of
chevets of various dates throughout the Gothic era. Thus in the apse of
Saint Étienne at Caen (Fig. 70),[381] of Saint Trophîme at Arles, and of
the cathedral of Notre Dame at Mantes, a single rib runs out from the
keystone of the chevet to that of the apsidal arch. (Plate II-h). Nor
was this rib a continuation of a ridge rib in the choir, for in the
instances just cited no such rib was employed. One is to be seen in a
number of churches, among them such widely separated examples as San
Saturnino at Pamplona,[382] Westminster Abbey,[383] and Saint Alpin at
Chalons-sur-Marne.[384] All of these churches have diagonal-ribbed
chevets, but there are instances of a short rib running to the apsidal
arch even where the vault is of the buttressing ribbed type, as for
example in the cathedral of Barcelona,[385] where it would seem to have
been used to subdivide the great triangular transverse cell of the vault
even more than to provide further apparent abutment for the other
radiants (Plate II-i). Even in chevets of the first type with ribs
radiating from the keystone of the apsidal arch, a rib is occasionally
added in the bay preceding this vault, as for example in Saint
Pierre-le-Guillard at Bourges (fifteenth century vaulting), where this
short rib runs out only to the crown of the six-part vault with which
the last bay of the choir is covered (Plate II-j). Occasionally, too, a
church like the cathedral of Moulins (Allier) (1468-1508), with a ridge
rib the length of the choir, is terminated by a chevet with radiating
ribs which thus receive apparent abutment at their keystone (Plate
II-k).
[Illustration: FIG. 70.--CAEN, SAINT ÉTIENNE.]
A similar purpose of providing apparent abutment would seem to account
for the unusual form of the chevets of Bayeux cathedral (thirteenth
century), and Sant’ Antonio at Padua (after 1232) in which all the
radiants which ordinarily stop at the keystone are carried through
against the face of the apsidal arch. At Bayeux there are two such ribs
(Plate II-l)[386] and at Padua, three (Plate II-m). The latter is also
exceptionally interesting in the form of its chevet which is really a
combination of the diagonal and the buttressing ribbed type.
Although there are occasional instances like the one at Barcelona, in
which the transverse severy of a buttressing ribbed chevet is subdivided
only by a ridge rib, it is far more common to find a more extensive
subdivision of this bay when such subdivision was undertaken at all.
Moreover, it is an interesting fact that many of the elaborated chevet
vaults--for it may be noted here that the apse vault was elaborated just
as were those in the remainder of the church edifice--are fundamentally
based upon the simple chevet with buttressing ribs.
Public-domain text, read in full here on John Shaqi.
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