Medical symbolism in connection with historical studies in the arts of healing and hygieneSozinskey, Thomas S.
History
Medical symbolism in connection with historical studies in the arts of healing and hygiene
Sozinskey, Thomas S.
Symbolism in medicine
It may be affirmed with confidence that no people in either ancient or
modern times has relied exclusively on the good offices of supernatural
powers for the cure of diseases. According to Catlin, the Indian doctors
first prescribed “roots and herbs, of which they have a great variety
of species; and when these have all failed, their last resort is to
medicine.”[407] A reverse plan was the more common. In that interesting
book, “Ecclesiasticus,” written by one well informed, and even at a time
when medicine was far advanced, the sick man is curiously advised to pray
and sacrifice to God first, and then to give place to the physician.[408]
The old Hebrew conveys the idea that, when nothing else could be done,
resort should be had to medical men. He thoughtfully remarks that “there
is a time when thou must fall into their hands.”[409]
Now, as was to be expected, the Grecian god of medicine was viewed by
some through a veil of superstition brought from the East. In connection
with statues of him were things the meaning of which would be entirely
unintelligible without a previous knowledge of ideas entertained in
Assyria and other countries. One of these, the special theme of this
chapter, is very interesting because of its historical connections. A
study of it brings to light much exceedingly interesting information.
The pine- or cedar-cone, or, as some have spoken of it, the pine-apple,
was figured in the hand of the cryselephantine statue of Æsculapius, made
by Calamis for the temple at Sicyon, in Arcadia, as in representations
of Mardux. What was the meaning of this peculiar object? Some have taken
it to have been a phallic symbol. The presence of it on the thyrsus of
Dionysus,[410] brought by him from the East, would seem to support that
view. It has also been regarded as a flame.[411]
[Illustration: FIG. 15.—THE PINE- OR CEDAR-CONE AS SEEN IN THE HAND OF A
WINGED FIGURE FROM NIMROUD.]
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