Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
May my lord fare well, and upon the proscripts of Christ may he
have mercy. For I am interceding in the name of all my fellows
in exile; and if I fail of my consolation, none the less I
shall hold myself paid by whatever I know the other proscripts
of Christ to have through your offices. _Ep._ 221; PL 199:
247.[4]
Medieval letters, long studied for history, should be better known as
literature.
Less available, though for our purposes more directly important, are the
manuals. Called generically _ars dictaminis_ (or _dictandi_), or _summa
dictaminis_, they are sometimes brief introductions to the formularies,
sometimes substantial and detailed separate works. The latter have much
less often than the formularies been printed. The ampler manuals apply to
letter-writing a review of both grammar and rhetoric. This is instructive
in Conrad’s _Summa de arte prosandi_.[5] The _Boncompagnus_,[6] so
widely used that Boncompagno’s name, like Donatus, became a common noun,
is amplified rather by diffuseness and by abundance of specimens. The
_Rhetorica novissima_[7] of the same author is at once over-divided
and ill-digested. Equally diffuse and equally relying on specimens, it
appeals to students of law by deliberate and often inept variations from
the traditional lore of rhetoric. The vogue of Thomas of Capua is hardly
explained by the meager printed text of his _Dictator_.[8] None of these
is at once so ample and so specific as a work by a Florentine of the
Bolognese school, perhaps Bene of Florence, entitled _Candelabrum_.[9]
A. THE RHETORIC OF _DICTAMEN_
The international affairs of the Roman Curia demanded and developed
professional _notarii_.[10] Their first and abiding concern was
precision. Legal correctness of language, exactitude, systematic
verification and record, precaution against tampering and forgery, all
demanded an elaborate technical skill. This was _ars notaria_ in the
stricter sense, an important branch of the practise of law, especially
of canon law.[11] Beyond legal correctness and dignity it developed
style befitting Rome. Privileges,[12] decrees, mandates, dispensations,
commissions, and other forms observed exact appropriateness and rhythms
that were at once marks of authenticity and models. The same care
extended to diplomatic correspondence. The documents in both fields, a
mine for students of medieval history, amply attest the importance of
_dictamen_ as a profession.[13]
Public-domain text, read in full here on John Shaqi.
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