[5] Edited for the Camden Society by Thomas Wright, London, 1850; reëdited by Montague Rhodes James in Anecdota Oxoniensia, Oxford, 1914; translated and edited by James, Lloyd, and Hartland, London, 1923; by Tupper and Ogle, London, 1924. See Hinton in _Studies in Philology_, 20: 448 (Oct., 1923). [6] See the _exemplum_ quoted above, page 246. [7] References are to the books and _distinctiones_ into which the collection was grouped by some compiler, evidently not by Walter himself. [8] The charm of Marie’s _lais_ as poetry is suggested by the metrical versions of F. B. Luquiens, New York, 1911, which has a bibliography and a valuable introduction. There are several prose translations. [9] The appendix of adventures in _Aucassin et Nicolete_ seems to be a later addition, not part of the original composition. Among the translations, Andrew Lang’s keeps its distinction. [10] Translation by Alice Kemp-Welch, London, 1903, with the French text. [11] Prose translation of _Erec_, _Cligés_, _Yvain_, and _Lancelot_ by W. W. Comfort, Everyman’s Library, 1914, with introduction, notes, and bibliography. The fourteenth-century English translation of _Yvain_ (_Ywain and Gawain_) has been edited by G. Schleich with study of its relation to the original, Oppeln and Leipzig, 1887. [12] Lady Charlotte Guest, _The Mabinogion_ (1877), 162. [13] See note 52 to Chapter VII, and Lizette A. Fisher, _The Mystic vision in the Grail legend and in the Divine Comedy_, New York, 1917 (Columbia University Press). [14] Book II of Dante’s unfinished _De vulgari eloquentia_ has several passages suggestive of the preoccupations of his time and of his own bent: “Si poesim recte consideremus: quæ nihil aliud est quam fictio rethorica musicaque composita” (III, page 393 of the Oxford 1 vol. text of the Works); “magister noster Horatius” (_ibid._); “grandiosa modo vocabula sub prælato stilo digna consistere....” (VII. 395); “ornativa vero dicimus omnia polysyllaba....” (VII. 396); “tota igitur ars cantionis circa tria videtur consistere: ... cantus divisionem ... partium habitudinem ... numerum carminum et syllabarum” (IX. 397). For the three styles, see the indexes to ARP and to this volume. [15] The references are to book, canto, and line. I refers to _Inferno_; II, to _Purgatorio_; III, to _Paradiso_. The translations are adapted from the convenient and familiar edition in Temple Classics. [16] Tanto vilmente nel eterno esilio. I. xxiii. 125. La concreata e perpetua sete. III. ii. 19. E la sua volontate è nostra pace. III. iii. 85. Non fu dal vel del cor giammai disciolta. III. iii. 117. [17] See ARP, 128. [18] See the introduction to Cook’s edition, Boston, 1900. [19] See above, page 240. [20] For ecphrasis, see the index. [21] For the demonstration of this see Gratia Eaton Baldwin, _The new Beatrice, or the virtue that counsels_, New York, Columbia University Press, 1928.