Melchior's Dream and Other TalesEwing, Juliana Horatia
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Melchior's Dream and Other Tales
Ewing, Juliana Horatia
Children's stories, English; Conduct of life -- Juvenile fiction
So they stay laughing and chatting, and then Monsieur the Viscount
bids his friend good-night, and holds him towards Madame that she may
do the same. But Madame (who did not enjoy Monsieur Crapaud's society
in prison) cannot be induced to do more than scratch his head
delicately with the tip of her white finger. But she respects him
greatly, at a distance, she says. Then they go back along the terrace,
and are met by a man-servant in Monsieur the Viscount's livery. Is it
possible that this is Antoine, with his shock head covered with
powder?
Yes; that grating voice, which no mental change avails to subdue, is
his, and he announces that Monsieur le Cure has arrived. It is the old
Cure of the village (who has survived the troubles of the Revolution),
and many are the evenings he spends at the chateau, and many the times
in which the closing acts of a noble life are recounted to him, the
life of his old friend whom he hopes ere long to see--of Monsieur the
Preceptor. He is kindly welcomed by Monsieur and by Madame, and they
pass on together into the chateau. And when Monsieur the Viscount's
steps have ceased to echo from the terrace, Monsieur Crapaud buries
himself once more among the violets.
* * * * *
Monsieur the Viscount is dead, and Madame sleeps also at his side;
and their possessions have descended to their son.
Not the least valued among them is a case with a glass front and
sides, in which, seated upon a stone is the body of a toad stuffed
with exquisite skill, from whose head gleam eyes of genuine topaz.
Above it in letters of gold is a date, and this inscription:--
"MONSIEUR THE VISCOUNT'S FRIEND."
ADIEU!
THE YEW-LANE GHOSTS
CHAPTER I.
"Cowards are cruel." OLD PROVERB.
This story begins on a fine autumn afternoon when, at the end of a
field over which the shadows of a few wayside trees were stalking like
long thin giants, a man and a boy sat side by side upon a stile. They
were not a happy-looking pair. The boy looked uncomfortable, because
he wanted to get away and dared not go. The man looked uncomfortable
also; but then no one had ever seen him look otherwise, which was the
more strange as he never professed to have any object in life but his
own pleasure and gratification. Not troubling himself with any
consideration of law or principle--of his own duty or other people's
comfort--he had consistently spent his whole time and energies in
trying to be jolly; and though now a grown-up young man, had so far
had every appearance of failing in the attempt. From this it will be
seen that he was not the most estimable of characters, and we shall
have no more to do with him than we can help; but as he must appear in
the story, he may as well be described.
Public-domain text, read in full here on John Shaqi.
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