Melincourt : $b or, Sir Oran Haut-TonPeacock, Thomas Love
General
Melincourt : $b or, Sir Oran Haut-Ton
Peacock, Thomas Love
English fiction -- 19th century; Orangutans -- Fiction; Satire
Mr. Forester observed, from the appearance of the drawing materials,
that they had been hastily left, and he saw that the last subject on
which Anthelia had been employed was a sketch of Redrose Abbey. He sate
with his head leaning on his hand, and his eyes fixed on the drawing in
perfect silence. Mr. Fax thought it best not to disturb his meditations,
and took up a volume that was lying open on the table, the last that
Anthelia had been reading. It was a posthumous work of the virtuous and
unfortunate Condorcet, in which that most amiable and sublime
enthusiast, contemplating human nature in the light of his own exalted
spirit, had delineated a beautiful vision of the future destinies of
mankind.[91]
Sir Oran Haut-ton kept his eyes fixed on the door with looks of anxious
impatience, and showed manifest and increasing disappointment at every
re-entrance of Old Peter, who at length summoned them to dinner.
Mr. Fax was not surprised that Mr. Forester had no appetite, but that
Sir Oran had lost his appeared to him extremely curious. The latter grew
more and more uneasy, rose from table, took a candle in his hand, and
wandered from room to room, searching every closet and corner in the
Castle, to the infinite amazement of Old Peter Gray, who followed him
everywhere, and became convinced that the poor gentleman was crazed for
love of his young mistress, who, he made no doubt, was the object of his
search; and the conviction was strengthened by the perfect inattention
of Sir Oran to all his assurances that his dear young lady was not in
any of those places which he searched so scrupulously. Sir Oran at
length, having left no corner of the habitable part of the Castle
unexamined, returned to the dining-room, and throwing himself into a
chair began to shed tears in great abundance.
Mr. Fax made his two disconsolate friends drink several glasses of
Madeira, by way of raising their spirits, and then asked Mr. Forester
what it was that had so affected him on their first entering the
library.
_Mr. Forester._ It was the form of Anthelia, in the place where I first
saw her, in that chair by the table. The vision was momentary, but,
while it lasted, had all the distinctness of reality.
Public-domain text, read in full here on John Shaqi.
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