Melincourt : $b or, Sir Oran Haut-TonPeacock, Thomas Love
General
Melincourt : $b or, Sir Oran Haut-Ton
Peacock, Thomas Love
English fiction -- 19th century; Orangutans -- Fiction; Satire
_Mr. Fax._ The picture which you have drawn of poverty is not very
tempting; and you must acknowledge that it is most galling to the most
refined feelings. You must not, therefore, wonder that it is peculiarly
obnoxious to the practical notions of poets. If the radiance of gold and
silver gleam not through the foliage of the Pierian laurel, there is
something to be said in their excuse if they carry their chaplet to
those who will gild its leaves; and in that case they will find their
best customers and patrons among those who are ambitious of acquiring
panegyric by a more compendious method than the troublesome practice of
the virtues that deserve it.
_Mr. Forester._ You have quoted Juvenal, but you should have completed
the sentence: ‘If you see no glimpse of coin in the Pierian shade, you
will prefer the name and occupation of a barber or an auctioneer.’[47]
This is most just: if the pursuits of literature, conscientiously
conducted, condemn their votary to famine, let him live by more humble,
but at least by honest, and therefore honourable occupations: he may
still devote his leisure to his favourite pursuits. If he produce but a
single volume consecrated to moral truth, its effect must be good as far
as it goes; but if he purchase leisure and luxury by the prostitution of
talent to the cause of superstition and tyranny, every new exertion of
his powers is a new outrage to reason and virtue, and in precise
proportion to those powers is he a curse to his country and a traitor to
mankind.
_Mr. Feathernest._ A barber, sir!—a man of genius turn barber!
_Mr. O’Scarum._ Troth, sir, and I think it is better he should be in the
suds himself, than help to bring his country into that situation.
_Mr. Forester._ I can perceive, sir, in your exclamation the principle
that has caused so enormous a superabundance in the number of bad books
over that of good ones. The objects of the majority of men of talent
seem to be exclusively two: the first, to convince the world of their
transcendent abilities; the second, to convert that conviction into a
source of the greatest possible pecuniary benefit to themselves. But
there is no class of men more resolutely indifferent to the moral
tendency of the means by which their ends are accomplished. Yet this is
the most extensively pernicious of all modes of dishonesty; for that of
a private man can only injure the pockets of a few individuals (a great
evil, certainly, but light in comparison); while that of a public
writer, who has previously taught the multitude to respect his talents,
perverts what is much more valuable, the mental progress of thousands;
misleading, on the one hand, the shallow believers in his sincerity; and
on the other, stigmatising the whole literary character in the opinions
of all who see through the veil of his venality.
_Mr. Feathernest._ All this is no reason, sir, why a man of genius
should condescend to be a barber.
Public-domain text, read in full here on John Shaqi.
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