The monks were in their cells, none dared to stir,--they
shuddered, and turned on their straw pallets. It was the vigil of Saint
John the Lesser, and I had been commanded what is called in convents an
hour of recollection, which was to be passed in the church. I had obeyed
the order, and remained with my face and body prostrate on the marble
steps of the altar, till I was almost unconscious, when I heard the
clock strike twelve. I reflected the hour had elapsed without a single
recollection on my part. “And thus it is to be always,” I exclaimed,
rising from my knees; “they deprive of the power of thinking, and then
they bid me recollect.” As I returned through the corridor, I heard
frightful cries--I shuddered. Suddenly a phantom approached me--I dropt
on my knees--I cried, “Satana vade retro--apage Satana.” A naked human
being, covered with blood, and uttering screams of rage and torture,
flashed by me; four monks pursued him--they had lights. I had shut the
door at the end of the gallery--I felt they must return and pass me--I
was still on my knees, and trembling from head to foot. The victim
reached the door, found it shut, and rallied. I turned, and saw a groupe
worthy of Murillo. A more perfect human form never existed than that of
this unfortunate youth. He stood in an attitude of despair--he was
streaming with blood. The monks, with their lights, their scourges, and
their dark habits, seemed like a groupe of demons who had made prey of a
wandering angel,--the groupe resembled the infernal furies pursuing a
mad Orestes. And, indeed, no ancient sculptor ever designed a figure
more exquisite and perfect than that they had so barbarously mangled.
Debilitated as my mind was by the long slumber of all its powers, this
spectacle of horror and cruelty woke them in a moment. I rushed forward
in his defence--I struggled with the monks--I uttered some expressions
which, though I hardly was conscious of, they remembered and exaggerated
with all the accuracy of malice.
Public-domain text, read in full here on John Shaqi.
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