eagerly the ribbon by which it was suspended, and, satisfied that his
terrible treasure was safe, turned his eyes with a fearful calmness of
expression on Melmoth, “You know all, then?”--“I know nothing,” said
Melmoth faultering. The Spaniard rose from the ground, to which he had
almost fallen, disengaged himself from the arms that supported him, and
eagerly, but staggeringly, hurrying towards the candles, (it was night),
held up the portrait full before Melmoth’s eye. It was a miniature
likeness of that extraordinary being. It was painted in a coarse and
unartist-like style, but so faithfully, that the pencil appeared rather
held by the mind than by the fingers.
“Was he--was the original of this--your ancestor?--Are you his
descendant?--Are you the depository of that terrible secret which----”
He again fell to the ground convulsed, and Melmoth, for whose
debilitated state this scene was too much, was removed to his own
apartment.
It was several days before he again saw his visitor; his manner was then
calm and collected, till he appeared to recollect the necessity of
making an apology for his agitation at their last meeting. He
began--hesitated--stopped; tried in vain to arrange his ideas, or rather
his language; but the effort so obviously renewed his agitation, that
Melmoth felt an exertion on his part necessary to avert its
consequences, and began most inauspiciously to inquire into the motive
of his voyage to Ireland. After a long pause, the Spaniard said, “That
motive, Senhor, a few days past I believed it was not in mortal power to
compel me to disclose. I deemed it incommunicable as it was incredible.
I conceived myself to be alone on the earth, without sympathy and beyond
relief. It is singular that accident should have placed me within the
reach of the only being from whom I could expect either, and perhaps a
developement of those circumstances which have placed me in a situation
so extraordinary.” This exordium, delivered with a composed but
thrilling gravity, had an effect on Melmoth. He sat down and prepared to
listen, and the Spaniard began to speak; but after some hesitation, he
snatched the picture from his neck, and trampling on it with true
continental action, exclaimed, “Devil! devil! thou choakest me!” and
crushing the portrait, glass and all, under his feet, exclaimed, “Now I
am easier.”
Public-domain text, read in full here on John Shaqi.
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