The room in which they sat was a low, mean, wretchedly furnished
apartment; the evening was tempestuous, and as the windows and doors
rattled in the blast, Melmoth felt as if he listened to some herald of
“fate and fear.” A deep and sickening agitation shook his frame; and in
the long pause that preceded the narrative of the Spaniard, the beating
of his heart was audible to him. He rose, and attempted to arrest the
narration by a motion of his hand; but the Spaniard mistook this for the
anxiety of his impatience, and commenced his narrative, which, in mercy
to the reader, we shall give without the endless interruptions, and
queries, and anticipations of curiosity, and starts of terror, with
which it was broken by Melmoth.
Tale of the Spaniard.
“I am, Senhor, as you know, a native of Spain, but you are yet to learn
I am a descendant of one of its noblest houses,--a house of which she
might have been proud in her proudest day,--the house of Monçada. Of
this I was not myself conscious during the first years of my life; but
during those years, I remember experiencing the singular contrast of
being treated with the utmost tenderness, and kept in the most sordid
privacy. I lived in a wretched house in the suburbs of Madrid with an
old woman, whose affection for me appeared prompted as much by interest
as inclination. I was visited every week by a young cavalier and a
beautiful female; they caressed me, called me their beloved child, and
I, attached by the grace with which my young father’s _capa_ was folded,
and my mother’s veil adjusted, and by a certain air of indescribable
superiority over those by whom I was surrounded, eagerly returned their
caresses, and petitioned them to take me _home_ with them; at these
words they always wept, gave a valuable present to the woman I lived
with, whose attention was always redoubled by this expected stimulant,
and departed.
Public-domain text, read in full here on John Shaqi.
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