see,” said the monk, gazing round the room. “But there are those that I
do see,” replied the dying wretch, “and that see me; that are watching,
waiting for me, the moment the breath is out of my body. I see them, I
feel them,--stand on my right side.” The monk changed his position. “Now
they are on the left.” The monk shifted again. “Now they are on my
right.” The monk commanded the children and relatives of the dying
wretch to enter the room, and surround the bed. They obeyed the command.
“Now they are every where,” exclaimed the sufferer, and expired(6).
(6) Fact,--me ipso teste.
“This terrible story came freshly to my recollection, accompanied by
many others. I had heard much of the terrors that surrounded the dying
bed of the guilty, but, from what I was compelled to hear, I almost
believe them to be less than the terrors of a guilty sleep. I have said
my companion began at first with low mutterings, but among them I could
distinguish sounds that reminded me too soon of all I wished to forget,
at least while we were together. He murmured, “An old man?--yes,--well,
the less blood in him. Grey hairs?--no matter, my crimes have helped to
turn them grey,--he ought to have rent them from the roots long ago.
They are white, you say?--well, to-night they shall be dyed in blood,
then they will be white no longer. Aye,--he will hold them up at the day
of judgment, like a banner of condemnation against me. He will stand at
the head of an army stronger than the army of martyrs,--the host of
those whose murderers have been their own children. What matter whether
they cut their parents’ hearts or their throats. I have cut _one_
through and through, to the very core,--now for the other, it will give
him less pain, I feel that,”--and he laughed, shuddered, and writhed on
his stony bed. Trembling with horror ineffable, I tried to awake him. I
shook his muscular arms, I rolled him on his back, on his face,--nothing
could awake him. It seemed as if I was only rocking him on his cradle of
stone. He went on, “Secure the purse, I know the drawer of the cabinet
where it lies, but secure him first. Well, then, you cannot,--you
shudder at his white hairs, at his calm sleep!--ha! ha! that villains
should be fools. Well, then, I must be the man, it is but a short
struggle with him or me,--he may be damned, and I must. Hush,--how the
stairs creak, they will not tell him it is his son’s foot that is
ascending?--They dare not, the stones of the wall would give them the
lie. Why did you not oil the hinges of the door?--now for it. He sleeps
intensely,--aye, how calm he looks!--the calmer the fitter for heaven.
Now,--now, my knee is on his breast,--where is the knife?--where is the
knife?--if he looks at me I am lost. The knife,--I am a coward; the
knife,--if he opens his eyes I am gone; the knife, ye cursed
cravens,--who dare shrink when I have griped my father’s throat?
There,--there,--there,--blood to the hilt,--the old man’s blood; look
Public-domain text, read in full here on John Shaqi.
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