“Immalee gazed on the awful scene by which she was surrounded, without
any emotion derived from physical causes. To her, light and darkness had
hitherto been the same; she loved the sun for its lustre, and the
lightning for its transitory brilliancy, and the ocean for its sonorous
music, and the tempest for the agitation which it gave to the trees,
under whose bending and welcoming shadow she danced, in time kept by the
murmur of their leaves, that hung low, as if to crown their votarist.
And she loved the night, when all was still, but what she was accustomed
to call the music of a thousand streams, that made the stars rise from
their beds, to sparkle and nod to that wild melody.
“Such she had been. Now, her eye was intently fixed on the declining
light, and the approaching darkness,--that preternatural gloom, that
seems to say to the brightest and most beautiful of the works of God,
“Give place to me, thou shalt shine no more.”
“The darkness increased, and the clouds collected like an army that had
mustered its utmost force, and stood in obdured and collected strength
against the struggling light of heaven. A broad, red, and dusky line of
gloomy light, gathered round the horizon, like an usurper watching the
throne of an abdicated sovereign, and expanding its portentous circle,
sent forth alternately flashes of lightning, pale and red;--the murmur
of the sea increased, and the arcades of the banyan-tree, that had
struck its patriarchal root not five hundred paces from where Immalee
stood, resounded the deep and almost unearthly murmur of the approaching
storm through all its colonnades; the primeval trunk rocked and groaned,
and the everlasting fibres seemed to withdraw their grasp from the
earth, and quiver in air at the sound. Nature, with every voice she
could inspire from earth, or air, or water, announced danger to her
children.
“That was the moment the stranger chose to approach Immalee; of danger
he was insensible, of fear he was unconscious; his miserable destiny had
exempted him from both, but what had it left him? No hope--but that of
plunging others into his own condemnation. No fear--but that his victim
might escape him. Yet with all his diabolical heartlessness, he _did_
feel some relentings of his human nature, as he beheld the young Indian;
her cheek was pale, but her eye was fixed, and her figure, turned from
him, (as if she preferred to encounter the tremendous rage of the
storm), seemed to him to say, “Let me fall into the hands of God, and
not into those of man.”
Public-domain text, read in full here on John Shaqi.
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