“The stranger answered not a word, relaxed not a muscle; it seemed as if
he felt her not with the hands that grasped her,--as if he saw her not
with the eyes that glared fixedly and coldly on her. He bore, or rather
dragged, her to the vast arch that had once been the entrance to the
pagoda, but which, now shattered and ruinous, resembled more the
gulphing yawn of a cavern that harbours the inmates of the desert, than
a work wrought by the hands of man, and devoted to the worship of a
deity. “You have called for mercy,” said her companion, in a voice that
froze her blood even under the burning atmosphere, whose air she could
scarce respire. “You have cried for mercy, and mercy you shall have.
Mercy has not been dealt to me, but I have courted my horrible destiny,
and my reward is just and sure. Look forth, trembler--look forth,--I
command thee!” And he stamped with an air of authority and impatience
that completed the terror of the delicate and impassioned being who
shuddered in his grasp, and felt half-dead at his frown.
“In obedience to his command, she removed the long tresses of her auburn
hair, which had vainly swept, in luxuriant and fruitless redundance, the
rock on which the steps of him she adored had been fixed. With that
mixture of the docility of the child, and the mild submission of woman,
she attempted to comply with his demand, but her eyes, filled with
tears, could not encounter the withering horrors of the scene before
her. She wiped those brilliant eyes with hairs that were every day
bathed in the pure and crystal lymph, and seemed, as she tried to gaze
on the desolation, like some bright and shivering spirit, who, for its
further purification, or perhaps for the enlargement of the knowledge
necessary for its destination, is compelled to witness some evidence of
the Almighty’s wrath, unintelligible in its first operations, but
doubtless salutary in its final results.
“Thus looking and thus feeling, Immalee shudderingly approached the
entrance of that building, which, blending the ruins of nature with
those of art, seemed to announce the power of desolation over both, and
to intimate that the primeval rock, untouched and unmodulated by human
hands, and thrown upwards perhaps by some volcanic eruption, perhaps
deposited there by some meteoric discharge, and the gigantic columns of
stone, whose erection had been the work of two centuries,--were alike
dust beneath the feet of that tremendous conqueror, whose victories
alone are without noise and without resistance, and the progress of
whose triumph is marked by tears instead of blood.
“Immalee, as she gazed around her, felt, for the first time, terror at
the aspect of nature. Formerly, she had considered all its phenomena as
equally splendid or terrific. And her childish, though active
imagination, seemed to consecrate alike the sun-light and the storm, to
the devotion of a heart, on whose pure altar the flowers and the fires
of nature flung their undivided offering.
Public-domain text, read in full here on John Shaqi.
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