“Amid this scene stood two beings, one whose appealing loveliness seemed
to have found favour with the elements even in their wrath, and one
whose fearless and obdurate eye appeared to defy them. “Immalee,” he
cried, “is this a place or an hour to talk of love!--all nature is
appalled--heaven is dark--the animals have hid themselves--and the very
shrubs, as they wave and shrink, seem alive with terror.”--“It is an
hour to implore protection,” said the Indian, clinging to him timidly.
“Look up,” said the stranger, while his own fixed and fearless eye
seemed to return flash for flash to the baffled and insulted elements;
“Look up, and if you cannot resist the impulses of your heart, let me at
least point out a fitter object for them. Love,” he cried, extending his
arm towards the dim and troubled sky, “love the storm in its might of
destruction--seek alliance with those swift and perilous travellers of
the groaning air,--the meteor that rends, and the thunder that shakes
it! Court, for sheltering tenderness, those masses of dense and rolling
cloud,--the baseless mountains of heaven! Woo the kisses of the fiery
lightnings, to quench themselves on your smouldering bosom! Seek all
that is terrible in nature for your companions and your lover!--woo them
to burn and blast you--perish in their fierce embrace, and you will be
happier, far happier, than if you lived in mine! _Lived!_--Oh who can be
mine and live! Hear me, Immalee!” he cried, while he held her hands
locked in his--while his eyes, rivetted on her, sent forth a light of
intolerable lustre--while a new feeling of indefinite enthusiasm seemed
for a moment to thrill his whole frame, and new-modulate the tone of his
nature; “Hear me! If you will be mine, it must be amid a scene like this
for ever--amid fire and darkness--amid hatred and despair--amid----” and
his voice swelling to a demoniac shriek of rage and horror, and his arms
extended, as if to grapple with the fearful objects of some imaginary
struggle, he was rushing from the arch under which they stood, lost in
the picture which his guilt and despair had drawn, and whose images he
was for ever doomed to behold.
Public-domain text, read in full here on John Shaqi.
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