“As they paused, the person returned alone, and walking slowly--and they
again encountered that singular expression of the features, (the eyes
particularly), which no human glance could meet unappalled. Accustomed
to look on and converse with all things revolting to nature and to
man,--for ever exploring the mad-house, the jail, or the
Inquisition,--the den of famine, the dungeon of crime, or the death-bed
of despair,--his eyes had acquired a light and a language of their
own--a light that none could gaze on, and a language that few dare
understand.
“As he passed slowly by them, they observed two others whose attention
was apparently fixed on the same singular object, for they stood
pointing after him, and speaking to each other with gestures of strong
and obvious emotion. The curiosity of the groupe for once overcame the
restraint of Spanish reserve, and approaching the two cavaliers, they
inquired if the singular personage who had passed was not the subject of
their conversation, and the cause of the emotion which appeared to
accompany it. The others replied in the affirmative, and hinted at their
knowledge of circumstances in the character and history of that
extraordinary being that might justify even stronger marks of emotion at
his presence. This hint operated still more strongly on their
curiosity--the circle of listeners began to deepen. Some of them, it
appeared, had, or pretended to have, some information relative to this
extraordinary subject. And that kind of desultory conversation
commenced, whose principal ingredients are a plentiful proportion of
ignorance, curiosity, and fear, mingled with some small allowance of
information and truth;--that conversation, vague, unsatisfactory, but
not uninteresting, to which every speaker is welcome to contribute his
share of baseless report,--wild conjecture,--anecdote the more
incredible the better credited,--and conclusion the more falsely drawn
the more likely to carry home conviction.
Public-domain text, read in full here on John Shaqi.
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