“As, unable to witness the agony of the wound he had inflicted but could
not heal, he turned from her, the last light of day faded from the
hills--the sun of both worlds set on her eye and soul--she sunk on the
earth, and notes of faint music that seemed designed to echo the
words--“No--no--no--never--never more!” trembled in her ears. They were
as simple and monotonous as the words themselves, and were played
accidentally by a peasant boy who was wandering in the woods. But to the
unfortunate, every thing seems prophetic; and amid the shades of
evening, and accompanied by the sound of his departing footsteps, the
breaking heart of Elinor accepted the augury of these melancholy
notes(10). * * * * * * * * *
(10) As this whole scene is taken from fact, I subjoin the notes whose
modulation is so simple, and whose effect was so profound.
[Music]
“A few days after this final meeting, Elinor wrote to her aunt in York
to announce, that if she still lived, and was not unwilling to admit
her, she would reside with her for life; and she could not help
intimating, that _her_ life would probably not outlast that of her
hostess. She did not tell what the widow Sandal had whispered to her at
her first arrival at the Castle, and what she now ventured to repeat
with a tone that struggled between the imperative and the
persuasive,--the conciliating and the intimidative. Elinor yielded,--and
the indelicacy of this representation, had only the effect to make her
shrink from its repetition.
“On her departure, Margaret wept, and Sandal shewed as much tender
officiousness about her journey, as if it were to terminate in their
renewed bridal. To escape from this, Elinor hastened her preparations
for departure.
“When she arrived at a certain distance from the Castle, she dismissed
the family carriage, and said she would go on foot with her female
servant to the farmhouse where horses were awaiting her. She went there,
but remained concealed, for the report of the approaching bridal
resounded in her ears. * * * * * * *
“The day arrived--Elinor rose very early--the bells rung out a merry
peal--(as she had once heard them do on another occasion)--the troops of
friends arrived in greater numbers, and with equal gaiety as they had
once assembled to escort her--she saw their equipages gleaming
along--she heard the joyous shouts of half the county--she imagined to
herself the timid smile of Margaret, and the irradiated countenance of
him who had been _her_ bridegroom.
“Suddenly there was a pause. She felt that the ceremony was going
on--was finished--that the irrevocable words were spoken--the
indissoluble tie was knit! Again the shout and wild joyance burst forth
as the sumptuous cavalcade returned to the Castle. The glare of the
equipages,--the splendid habits of the riders,--the cheerful groupe of
shouting tenantry,----she saw it all! * * * * * * * * * *
Public-domain text, read in full here on John Shaqi.
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