“The entertainment was to be a masked ball; and Isidora, who imagined
that this might suggest to Melmoth some auspicious expedient for her
escape, watched in vain for some hint of hope,--some allusion to the
probability of this event facilitating her extrication from those snares
of death that seemed compassing her about. He never uttered a word, and
her dependence on him was at one moment confirmed, at another shaken to
its foundation, by this terrible silence. In one of these latter
moments, the anguish of which was increased beyond expression by a
conviction that her hour of danger was not far distant, she exclaimed to
Melmoth--“Take me--take me from this place! My existence is nothing--it
is a vapour that soon must be exhaled--but my reason is threatened every
moment! I cannot sustain the horrors to which I am exposed! All this day
I have been dragged through rooms decorated for my impossible
nuptials!--Oh, Melmoth, if you no longer love me, at least commiserate
me! Save me from a situation of horror unspeakable!--have mercy on your
child, if not on me! I have hung on your looks,--I have watched for a
word of hope--you have not uttered a sound--you have not cast a glance
of hope on me! I am wild!--I am reckless of all but the imminent and
_present_ horrors of to-morrow--you have talked of your power to
approach, to enter these walls without suspicion or discovery--you
boasted of that cloud of mystery in which you could envelope yourself.
Oh! in this last moment of my extremity, wrap me in its tremendous
folds, and let me escape in them, though they prove my shroud!--Think of
the terrible night of our marriage! I followed you then in fear and
confidence--your touch dissolved every earthly barrier--your steps trod
an unknown path, yet I followed you!--Oh! If you really possess that
mysterious and inscrutable power, which I dare not either question or
believe, exert it for me in this terrible emergency--aid my escape--and
though I feel I shall never live to thank you, the _silent suppliant_
will remind you by its smiles of the tears that I now shed; and if they
are shed in vain, its smile will have a bitter eloquence as it plays
with the flowers on its mother’s grave!”
Public-domain text, read in full here on John Shaqi.
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