“My daughter,” said the priest, while the tears rolled fast down his
cheeks--“my daughter, you are passing to bliss--the conflict was fierce
and short, but the victory is sure--harps are tuned to a new song, even
a song of welcome, and wreaths of palm are weaving for you in paradise!”
“Paradise!” uttered Isidora, with her last breath--“_Will he be there!_”
CHAPTER XXXVIII.
Loud tolled the bell, the priests prayed well,
The tapers they all burned bright,
The monk her son, and her daughter the nun,
They told their beads all night!
* * * * *
The second night------
* * * * *
The monk and the nun they told their beads
As fast as they could tell,
And aye the louder grew the noise,
The faster went the bell!
* * * * *
The third night came------
* * * * *
The monk and the nun forgot their beads,
They fell to the ground dismayed,
There was not a single saint in heaven
Whom they did not call to their aid!
SOUTHEY.
Monçada here concluded the tale of the Indian,--the victim of Melmoth’s
passion, no less than of his destiny, both alike unhallowed and
unutterable. And he announced his intention of disclosing to him the
fates of the other victims, whose skeletons were preserved in the vault
of the Jew Adonijah in Madrid. He added, that the circumstances relating
to them, were of a character still darker and more awful than those he
had recited, as they were the result of impressions made on masculine
minds, without any excitement but that of looking into futurity. He
mentioned, too, that the circumstances of his residence in the house of
the Jew, his escape from it, and the reasons of his subsequent arrival
in Ireland, were scarcely less extraordinary than any thing he had
hitherto related. Young Melmoth, (whose name perhaps the reader has
forgot), did “seriously incline” to the purpose of having his dangerous
curiosity further gratified, nor was he perhaps altogether without the
wild hope of seeing the original of that portrait he had destroyed,
burst from the walls and take up the fearful tale himself.
The narrative of the Spaniard had occupied many days; at their
termination, young Melmoth signified to his guest that he was prepared
to hear the sequel.
A night was fixed for the continuation of the recital. Young Melmoth and
his guest met in the usual apartment--it was a dreary, stormy night--the
rain that had fallen all day, seemed now to have yielded to the wind,
that came in strong and sudden bursts, suddenly hushed, as if collecting
strength for the tempest of the night. Monçada and Melmoth drew their
chairs closer to the fire, looking at each other with the aspect of men
who wish to inspire each other with courage to listen, and to tell, and
are the more eager to inspire it, because neither feels it himself.
Public-domain text, read in full here on John Shaqi.
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