“From the date of the arrival of this intelligence, a change had taken place in the habits and manners of Elinor, so striking as to become the object of notice to all but herself. Her health, her rest, and her imagination, became the prey of indefinable fantasies. The cherished images of the past,--the lovely visions of her golden childhood,--seemed fearfully and insanely contrasted in her imagination with the ideas of slaughter and blood,--of decks strewed with corses,--and of a young and terrible conqueror bestriding them amid showers of ball and clouds of fire. Her very senses reeled between these opposite impressions. Her reason could not brook the sudden transition from the smiling and Cupid-like companion of her childhood, to the hero of the embattled deep, and of nations and navies on fire,--garments rolled in blood,--the thunder of the battle and the shouting. “She sat and tried, as well as her wandering fancy would allow her, to reconcile the images of that remembered eye, whose beam rested on her like the dark blue of a summer heaven swimming in dewy light,--with the flash that darted from the burning eye of the conqueror, whose light was as fatal where it fell as his sword. She saw him, as he had once sat beside her, smiling like the first morning in spring,--and smiled in return. The slender form, the soft and springy movements, the kiss of childhood that felt like velvet, and scented like balm,--was suddenly exchanged in her dream (for all her thoughts were dreams) for a fearful figure of one drenched in blood, and spattered with brains and gore. And Elinor, half-screaming, exclaimed, “Is this he whom I loved?” Thus her mind, vacillating between contrasts so strongly opposed, began to feel its moorings give way. She drifted from rock to rock, and on every rock she struck a wreck. “Elinor relinquished her usual meetings with the family--she sat in her own apartment all the day, and most of the evening. It was a lonely turret projecting so far from the walls of the Castle, that there were windows, or rather casements, on three sides. There Elinor sat to catch the blast, let it blow as it would, and imagined she heard in its moanings the cries of drowning seamen. No music that her lute, or that which Margaret touched with a more powerful and brilliant finger, could wean her from this melancholy indulgence. “Hush!” she would say to the females who attended her--“Hush! let me listen to the blast!--It waves many a banner spread for victory,--it sighs over many a head that has been laid low!”