“Troubling me!” said the boy, in tones that made Elinor think it was the first time she had heard music. “Oh, no--if you knew how fond I am of children,--how long it is since I had the delight of pressing one to my breast--how long it may be again before”---- and averting his head, he bowed it over the babe. The room was very dark, from the increasing shades of evening, deepened by the effect of the heavy wainscotting of its walls; but at this moment, the last bright light of an autumnal evening, in all its rich and fading glory, burst on the casement, powering on every object a golden and purpureal light. That end of the apartment in which Elinor sat remained in the deepest shade. She then distinctly beheld the figure which her heart seemed to recognize before her senses. His luxuriant hair, of the richest brown, (its feathery summits tinged by the light resembling the halo round some glorified head), hung, according to the fashion of the day, in clusters on his bosom, and half-concealed the face of the infant, as it lay like a nestling among them. “His dress was that of a naval officer,--it was splendidly adorned with lace, and the superb insignia of a foreign order, the guerdon of some daring deed; and as the infant played with these, and then looked upward, as if to repose its dazzled sight on the smile of its young protector, Elinor thought she had never beheld association and contrast so touchingly united,--it was like a finely coloured painting, where the tints are so mellowed and mingled into each other, that the eye feels no transition in passing from one brilliant hue to another, with such exquisite imperceptibility are they graduated,--it was like a fine piece of music, where the art of the modulator prevents your knowing that you pass from one key to another; so softly are the intermediate tones of harmony touched, that the ear knows not where it wanders, but wherever it wanders, feels its path is pleasant. The young loveliness of the infant, almost assimilated to the beauty of the youthful caresser, and yet contrasted with the high and heroic air of his figure, and the adornments of his dress, (splendid as they were), all emblematic of deeds of peril and of death, seemed to the imagination of Elinor like the cherub-angel of peace reposing on the breast of valour, and whispering that his toils were done. She was awoke from her vision by the voice of the widow.--“Niece, this is your cousin John Sandal.” Elinor started, and received the salute of her kinsman, thus abruptly introduced, with an emotion, which, if it deprived her of those courtly graces which ought to have embellished her reception of the distinguished stranger, gave her, at least, the more touching ones of diffidence.