“Most of the company, even including the females, were mounted on
horseback, and this, by apparently increasing the number of the
procession, added to its tumultuous magnificence. There were some
cumbrous vehicles, misnomed carriages, of a fashion indescribably
inconvenient, but gorgeously gilded and painted,--and the Cupids on the
pannels had been re-touched for the occasion. The bride was lifted on
her palfrey by two peers,--Margaret rode beside her gallantly
attended,--and Mrs Ann, who once more saw nobles contending for her
withered hand, and adjusting her silken rein, felt the long-faded
glories of her family revive, and led the van of the pompous procession
with as much dignity of demeanour, and as much glow of faded beauty,
once eminent and resistless, as if she still followed the gorgeous
nuptial progress of the princess palatine. They arrived at the
church,--the bride, the relatives, the splendid company, the
minister--all but the bridegroom, were there. There was a long painful
silence. Several gentlemen of the bridal party rode rapidly out in every
direction in which it was thought probable to meet him,--the clergyman
stood at the altar, till, weary of standing, he retired. The crowd from
the neighbouring villages, combined with the numerous attendants, filled
the church-yard. Their acclamations were incessant,--the heat and
distraction became intolerable, and Elinor begged for a few moments to
be allowed to retire to the vestry.
“There was a casement window which opened on the road, and Mrs Ann
supported the bride as she tottered towards it, attempting to loose her
wimple, and veil of costly lace. As Elinor approached the casement, the
thundering hoofs of a horse at full speed shook the road. Elinor looked
up mechanically,--the rider was John Sandal,--he cast a look of horror
at the pale bride, and plunging his desperate spurs deeper, disappeared
in a moment. * * * * *
Public-domain text, read in full here on John Shaqi.
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