Memoir of John Howe Peyton: in sketches by his contemporaries, together with some of his public and private letters, etc., also a sketch of Ann M. Peyton
History
Memoir of John Howe Peyton: in sketches by his contemporaries, together with some of his public and private letters, etc., also a sketch of Ann M. Peyton
Peyton, Anne Montgomery, 1802-1850; Peyton, John Howe, 1778-1847
After completing his note which was redolent as may be imagined of the
farm and barn yard with its pigs and fowls, he gave it to her. She
laughed heartily at his first effort, but sweetened what he thought her
irony by a little praise. It was not, however, she said, the kind of
letter his aunt would expect or care to read. She then in a few moments,
without taking her pen from the paper, dashed off a letter of sparkling
diction and fascinating humor. Surprised, amazed indeed, at her
readiness and power of description, delighted at what appeared to him
her wonderful success, proud of her as his mother and withal grateful
for her assistance, he threw his arms round about her neck, covering her
with kisses and exclaiming, "Why Mamma, you are indeed a genius--a giant
of the pen. I never will be able to write like that."
His first guide and his earliest critic, he soon learned from her that
affection for literature which has afforded him so much solace in his
chequered life. Availing herself of this occasion the mother impressed
upon the son the advantages of aiming at perfection in everything he
undertook.
The tenor of her remarks may be thus summarized: unless aimed at we
certainly would never attain perfection while frequent attempts would
make it easy. She animadverted upon idleness and indifference, remarking
that in the comparatively unimportant matter of writing a letter as it
was considered, we should give it our greatest care, that it might be as
perfect in all its parts as we could make it. The subject should be
expressed plainly and intelligibly, and in as elegant style as we were
capable of. Before writing a sentence we should examine it, that it
might contain nothing vulgar or inelegant in thought or word; that we
should guard ourselves against attempts at wit, which might wound, or
too much levity and familiarity which was foolish and impertinent. And
seek to express ourselves with manly simplicity, free of affectation.
This was the usual style of Cicero's epistles and rendered them deeply
interesting and improving. No one could reach such excellence, without
purity in the choice of words, justness of construction, joined with
perspicuity of style. That in our letters we should not attempt what is
called fine writing, but have them, like our conversation, unstudied and
easy, natural and simple.
In fact, she said Cicero's were the most valuable collection of letters
extant in any language, written to the greatest men of the age, composed
with purity and elegance, and without the least affectation and without
any view to their publication, which adds greatly to their merit.
She particularly disliked extravagant, what she called "random talking,"
and early warned her children against exaggeration, quoting in this
connection from her favorite work:--
"He that hath knowledge spareth his word, and even a fool when he
holdeth his peace, is counted wise: and he that shutteth his lips is
esteemed a man of understanding."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account