Authors, American -- 19th century -- Biography; Leland, Charles Godfrey, 1824-1903
One night Colquhoun and I went to Drury Lane, and, after hearing Grisi,
Mario, and Lablache together, saw the great _pas de quatre_ which became
a historical marvel. For it was danced by Taglioni, Cerito, Carlotta
Grisi, and Lucile Grahn. In after years, when I talked with Taglioni
about it, she assured me that night I had witnessed what the world had
never seen since, the greatest and most perfect execution conceivable.
For the four great artists, moved by rivalry, were inspired to do their
best before such an audience as was seldom seen. Colquhoun kept pointing
out one celebrity after another to me; I verily believe that I saw most
of the great men and women of the time. And afterwards I saw a great
number in Parliament.
There was a rather distinguished-looking Frenchman very much about town
in London while I was there. He was always alone, and always dressed in
a long, light overcoat. Wherever I went, to Cremorne or the Park, there
he was. When Louis Napoleon came up in the world and I saw his
photograph, I at once recognised my Frenchman.
There roomed next to me in our hotel a German from Vienna named Becker.
He was an opera-singer, and the newspapers said that he was fully equal
to the first baritone of the day. I forget who that was: was it Pischek?
I liked him very much; he was always in my room, and always singing
little bits, but I was not much impressed by them, and once told him that
I believed that I could sing as loudly as he. He never said a word, but
at once let out his whole voice in a tremendous _aria_. I clapped my
hands to my ears; I verily believed that he would shatter the windows! I
have heard of a singer who actually broke a goblet by vibration, and I
now believe that it is possible. I was once shown in the Hague Museum a
goblet which rang marvellously in accompaniment when one sang to it, and
have met with others like it.
I was invited by a young friend named Hunt (a son of the great Chartist),
who had been a friend of mine in Heidelberg, where he had taken his
degree as doctor of Philosophy, to pass a week in the country at a
charming old Elizabethan place, said to have been the original Bleak
House. Everything there was perfectly delightful. There were two or
three charming young ladies. I remember among them a Miss Oliphaunt.
There was a glorious picnic, to which I and all walked eight miles and
back. I admired on this occasion for the first time the pedestrian
powers of English girls.
I visited Verulamium and St. Alban's Abbey, not then "restored," and
other beautiful places. It all seemed like a fairy-tale, for the charm
of my early reading came over me like enchantment. One night Hunt and I
went into a little wayside inn. There were assembled a number of
peasants--hedgers and ditchers, or such like. We treated them to ale,
and they sang many strange old songs. Then I was called on, and I sang
"Sir Patrick Spens," which was well received.
Public-domain text, read in full here on John Shaqi.
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