It was a wild mixture of cosmopolitanism and Hamletism, and it indicates accurately the true state of my _cor cordium_ at that time. Earnest thought, or a yearning for truth, and worldly folly, were playing a game of battledore and shuttlecock, and I was the feathered cork. There is a song without words by Mendelssohn, which sets forth as clearly as Shakespeare or Heine could have done in words, deep melancholy or unavoidable suffering expressing itself merrily and gaily in a manner which is both touching and beautiful, or sweet and sad. Without any self- consciousness or display of sentimentalism, I find deep traces of this in many little poems or sketches which I wrote at that time, and which have now been forgotten. I had been in Arcadia; I was now in a very pleasant sunny Philistia; but I could not forget the past. And I never forgot it. Once in Paris, in the opera, I used in jest emphatically the Russian word _harrascho_, "good," when a Russian stranger in the next box smiled joyously, and rising, waved his glove to me. Once in a brilliant soiree in Philadelphia there was a Hungarian Count, an exile, and talking with him in English, I let fall for a joke "_Bassama terem-tete_!" He grasped my hand, and, forgetting all around, entered into a long conversation. It was like the American who, on finding an American cent in the streets in Paris, burst into tears. So from time to time something recalled Europe to me. I went now and then to New York, which I liked better than Philadelphia. I was often a guest of Mr. Kimball. He introduced me to Dr. Rufus Griswold, a strange character and a noted man of letters. He was to his death so uniformly a friend to me, and so untiring in his efforts to aid me, that I cannot find words to express his kindness nor the gratitude which I feel. He became the editor of a literary magazine which was really far in advance of the time. It did not last long; while it endured I supplied for it monthly reviews of foreign literature.