So the paper was brought out after all. I had great trouble for some time to learn to write editorials. I used to go to the office of a Sunday morn, and sit sometimes from ten till two turning over the exchanges, and seeking for ideas. It was a dreadful ordeal. In fact, in after times it was several years before I could seize a pen, rattle up a subject and dash off a leader. _Now_ I can write far more easily than I can talk. And it is a curious fact that soon after I became really skilled at such extempore work in the opinion of the best judges, such as Raymond, I no longer had any opportunity to practice it. I had worked only a week or two when a rather queer, tall, roughish Yankee was brought into the office. He worked for a while, and in a day or two took possession of my desk and rudely informed me that he was my superior editor and master there. He had, as many men do, mistaken amiable politeness for humility. I replied, knowing that Mr. Beech, out of sight, was listening to every word, that there was no master there but Mr. Beech, and that I should keep my desk. We became affable; but I abode my time, for I found that he was utterly incompetent to do the work. Very soon he told me that he had an invitation to lecture in Philadelphia. I told him that if he wished to go I would do all his work for him. So he went, and Mr. Beech coming in, asked where Mr. --- was. I replied that he had gone away to lecture, and that I was to do his work during his absence. This was really too much, and the Yankee was dismissed "in short order," the Beeches being men who made up their minds promptly and acted vigorously. As for me, I never, shirked work of any kind. A gentleman on a newspaper never does. The more of a snob a man is, the more afraid he is of damaging his dignity, and the more desirous of being "boss" and captain. But though I have terribly scandalised my chief or proprietor by reporting a fire, I never found that I was less respected by the typos, reporters, and subs. I had before leaving Philadelphia published two books. One was "The Poetry and Mystery of Dreams," which I dedicated to my fiancee, Miss Belle Fisher. The other was an odd melange, which had appeared in chapters in the _Knickerbocker Magazine_. It was titled _Meister Karl's Sketch-Book_. It had no great success beyond attaining to a second edition long after; yet Washington Irving praised it to everybody, and wrote to me that he liked it so much that he kept it by him to nibble ever and anon, like a Stilton cheese or a _pate de foie gras_; and here and there I have known men, like the late Nicolas Trubner or E. L. Bulwer, who found a strange attraction in it, but it was emphatically caviare to the general reader. It had at least a _style_ of its own, which found a few imitators. It ranks, I think, about _pari passu_ with Coryatt's "Crudities," or lower.