Memoirs and resolutions of Adam Graeme of Mossgray, including some chronicles of the borough of FendieOliphant, Mrs. (Margaret)
History
Memoirs and resolutions of Adam Graeme of Mossgray, including some chronicles of the borough of Fendie
Oliphant, Mrs. (Margaret)
Bildungsromans; Scotland -- History -- 19th century -- Fiction; Youth -- Scotland -- Social life and customs -- Fiction
But the little, quick, irascible custodier of the lonely house had been
so long used to the poverty of its scanty furniture that she was now
unconscious of it; and when she carefully dusted the high-backed chairs
of “Miss Lucy’s parlour,” and closed the shutters lest the sun should
spoil the colours of the decayed worn carpet, whose colours had been
jumbled in incoherent old age when she herself was but a child, Eesabell
Brown was perfectly sincere. She had a veneration for those solitary and
quiet inhabitants of the house in which she had lived all her days; they
were older dwellers than she; and when she thought of the “Miss Lucy”
who had been the pattern and glory of her younger days returning to
Murrayshaugh--and she did think of it constantly--it was still as Miss
Lucy--the fair, _young_ lady whom in her own girlhood she thought chief
of women. This was the romance of the little old housekeeper of
Murrayshaugh. She had known few fluctuations of fortune since the great
era of their departure; somehow or other Isabell herself had grown old;
but unchangeable as the high-backed chairs and the faded carpets seemed
Murrayshaugh and Miss Lucy--and they would return.
“My mother was housekeeper when the Laird and Miss Lucy gaed to foreign
pairts,” she said to Lilias. “Ye’ll have heard o’ Miss Lucy?--ay, but I
question if ye ever saw the like o’ her. Wasna auld Greenshaw your
grandfather? I thocht that. Weel, Miss Lucy gaed herself, ance errant,
to see your mother, to please Mossgray.”
Isabell said this with great importance; but Lilias was not overawed,
though her face was very grave.
“There’s no a young lady atween this and her, wherever she be,”
continued the old woman with vehemence, “that it wadna be an honour to
even to Miss Lucy, though them that should have kent, didna ken.”
A quick indignant glance at the young man accompanied this speech; but
the glance of Isabell’s wrath was harmless lightning to the unconscious
Halbert.
“Me and my sister Jean were brought up here,” said Isabell, more calmly,
“and she was married upon a cousin o’ our ain:--maybe ye ken John Broun
that’s at the Mount--that’s Jean’s son.”
“He is my earliest acquaintance in Fendie,” said Halbert,
good-humouredly, “and an honest fellow he is; but why do they leave you
alone here?”
“My lane!” said Isabell; “am I no housekeeper? and us disna ken the day
that Murrayshaugh may come hame!”
Lilias checked Halbert with her lifted hand; the old woman’s delusion
was sacred.
They had entered “Miss Lucy’s parlour,” and were looking at some
pictures on the wall. Before the first of these, that of a young man in
an antique dress, evidently an old family portrait, Lilias paused with a
sudden start. There was a vivid colour and surprised animation on her
face, such as Halbert had never seen her have before, and the tone of
her voice struck him as she turned to ask about the picture--low, full,
and musical, as if the heart throbbed through it more warmly than was
its wont.
Public-domain text, read in full here on John Shaqi.
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