Memoirs and resolutions of Adam Graeme of Mossgray, including some chronicles of the borough of FendieOliphant, Mrs. (Margaret)
History
Memoirs and resolutions of Adam Graeme of Mossgray, including some chronicles of the borough of Fendie
Oliphant, Mrs. (Margaret)
Bildungsromans; Scotland -- History -- 19th century -- Fiction; Youth -- Scotland -- Social life and customs -- Fiction
A very little matter was enough to overset the composure of the orphan
who held that unenviable place. Her eyes filled and her lip quivered;
she had fancied it impossible that children could be anything but
loveable, and in the early power and bitterness of her grief to have
these petty indignities put upon her, overwhelmed her inexperienced
spirit. So she went in with the elder girls, painfully repressing bitter
tears, and with the gasp of young woe convulsively swelling in her
breast, “to flee away, and be at rest.”
Mrs Fendie sat in her morning room, before a table covered with
embroideries and patterns for the same. She was a tall, thin, chill
woman of the _genus_ clever, who had persevered so long in calling
herself an excellent manager, and a person of very intellectual tastes,
that public opinion had at length succumbed under the constant
iteration, and with only the emphatic protest of John Brown, who in his
own circle declared her “an evendown gowk wi’ a tongue like the happer
of a mill,” Mrs Fendie was pronounced a very clever woman. The
natural-born Fendies were all dull. The last head of the house had been
fretted and chafed out of his easy life by the fatal cleverness of his
yoke-fellow; and even she, their mother, had been quite unable to strike
any sort of fire from the leaden natures of his children.
Beside Mrs Fendie, stretched in an easy chair, with a worked footstool
supporting the worked slipper, with which her mother’s industry had
endowed her, reclined the Reverend Mrs Heavieliegh, Mrs Fendie’s eldest
daughter. She was like Adelaide in her soft, large, not uncomely
features, and in the passive good humour of their expression; but Mrs
Heavieliegh’s development of the family character was indolence,
comfortable, lazy, luxurious repose; and in her gay-coloured ample
draperies, and lounging attitude, and slumbrous face, she formed a good
foil to the keen, sharp, steel-like mother, who worked indefatigably by
her side. Mrs Heavieliegh had no admiration of work; she played with the
long ears of the lap-dog on her knee, and was perfectly comfortable.
“How do you do, Hope Oswald?” said Mrs Fendie; “how’s your mamma? Sit
down, children, I have something to say to you. Fred, don’t pull my
frame; Victoria, be quiet. Sit down, Miss Maxwell, I wish particularly
to address myself to you.”
Public-domain text, read in full here on John Shaqi.
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