Memoirs of a griffin : $b Or, A cadet's first year in IndiaBellew, Francis John
General
Memoirs of a griffin : $b Or, A cadet's first year in India
Bellew, Francis John
India -- Description and travel
There was no lack of this shining talent, oratorical power, and
technical tact, amongst the auctioneers of Calcutta, seasoned with
humour, pathos, or persuasion, according to the occasion. How often have
I heard the merits of a venerable steed proclaimed; his infirmities and
defects (with a delicate regard to his presence) lightly touched upon,
or at most so disposed, like the shades in a picture, as to heighten and
improve the general effect! How frequently have I been pleasantly
reminded of the good old maxim “_de mortuis nil nisi bonum_,” when
listening to the commendations of a batch of dead and ullaged beer! And
how often tempted to make an investment in a cheap “gross of green
spectacles,” “a lot of damaged huckaback,” or the like, from a strong
impression, fostered by the auctioneers persuasive eloquence, “that they
might some day come into use,” a contingent probability largely insisted
upon!
What a Herculean task it is to conjure money out of some people’s
pockets! Consummate tact is requisite to effect this end. What a world
of machinery must be put in motion before the movable crank, the owner’s
hand, finds its way into that pecuniary receptacle! A bungler may fumble
for a month and not find the motive spring, whilst an adept will touch
it in a moment. Yes, I see no reason on earth why the auctioneers should
not rank with the liberal professions. Does not the craft combine, in an
eminent degree, many of the leading features of those professions, which
(always considering the predominant turn of the national mind)
unaccountably rank higher in public estimation—the special pleading of
the lawyer, the eloquence of the senator, and the business-like airs of
the merchant? Does not the auctioneer, like another Charles Martel—ay,
and with the same weapon, too—knock down his lots with as much effect as
the soldier does his? Does he not pronounce orations over the dead, as
has been already shown, and display a beautiful morality in covering, as
with the mantle of charity, a multitude of defects? Is not his “going,
going, gone,” too, a brief and pithy sermon, touchingly calculated to
remind us of our common mortality?
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