At first it almost looked as if he might rally. I remember passing through the village, in the dusk of a Sunday evening (the 7th of May), and there was Bettesworth, slowly toiling up the ascent to Jack's cottage, even at that late hour. It was too dark to distinguish his features, but by the lift of his chin and a suggestion of lateral curvature in his figure, I recognized him. He had been to the Swan, and was just going home, contented with his evening. The week that followed saw him here twice; and again on the 15th he came, and, finding me in the garden, was glad enough to be invited to a seat where he might rest. And then as we sat there together it became clear to me that he would never again be any better than he was now. The sunshine was soft and pleasant, where it alighted on his end of the seat, and the shade of the garden trees at my end was refreshing, but to him no summer day was to bring its gifts of renewed life any more. When he arrived, I had expected that presently, after a rest, it would be his wish to go farther into the garden and see how the crops promised; but he made no offer to move. To get so far had been all that he could do. His thighs, as could be seen by the clinging of the trousers to them, were lamentably shrunken. His body was wasting: only his aged mind retained any of his former vigour. A curious thing he told me, in connexion with the shrinking of his muscles. He had bared his thighs one evening, to show his "mates"--Bryant, George Stevens, and others--how thin they were; and by his own account the men had solemnly looked on at the queer piteous exhibition, acknowledging themselves shocked, and wondering how he could creep about at all. Bryant, by the way, had already told me of the incident, speaking compassionately. He added that Bettesworth offered to show his arms also, but that he had said, "No, Fred, you no call to trouble. I can take your word for it without seein'." Sitting there weary in the sunshine, Bettesworth was in a melancholy humour. "A gentleman on the road," he said, had met him the previous day, and remarked "to his wife what was with him, 'That old gentleman looks as if he bin ill.' 'So he have,' old George Stevens says, cause he was 'long with me. He" (the gentleman) "looked at my hands and says, 'Why, your hands looks jest as if they was dyin' off.' I dunno what he meant; but he called his wife and said, 'Don't his hands look jest as if they was dyin' off?' And she said so they did.... I dunno who he was: he was a stranger to me. But what should you think he meant by that?" Mournfully the old man held out his knotted hand for my opinion. He was plainly worried by the odd phrase, and fancied, I believe, that the "gentleman" had seen some secret token of death in his hands.