Memoirs of an American Lady: With Sketches of Manners and Scenery in America, as They Existed Previous to the RevolutionGrant, Anne MacVicar
History
Memoirs of an American Lady: With Sketches of Manners and Scenery in America, as They Existed Previous to the Revolution
Grant, Anne MacVicar
Indians of North America; New York (State) -- Social life and customs -- To 1775; Schuyler, Catalina, 1701-1778 or 1779
ALL the distant tribes were to join on hearing Pondiac was in possession
of the fort. Many of those nearest, in the meanwhile, were to lie in the
neighbouring woods, armed and ready to rush out on the discharge of a
cannon, on that day which was meant to be fatal to the garrison. Out of
the intended massacre, however, the artillery were to be spared that
they might work the guns. Near the fort lived a much admired Indian
beauty, who was known in the garrison by the name, or title rather, of
the Queen of Hearts. She not only spoke French, but dressed not
inelegantly in the European manner, and being sprightly and captivating,
was encouraged by Pondiac to go into the garrison on various pretexts.
The advantage the Indian chief meant to derive from this stratagem was,
that she might be a kind of spy in the fort, and that by her influence
over the commander, the wonted caution with regard to Indians might be
relaxed, and the soldiers permitted to go out unarmed and mingle in
their diversions. This plan in some degree succeeded. There was at
length a day fixed, on which a great match of foot-ball was to be
decided between two parties of Indians, and all the garrison were
invited to be spectators. It was to be played on the esplanade opposite
the fort. At a given signal the ball was to be driven over the wall of
the fort, which, as there was no likelihood of its ever being attacked
by cannon, was merely a palisade and earthen breast-work. The Indians
were to run hastily in, on pretence of recovering the ball, and shut the
gates against the soldiers, whom Pondiac and his people were to tomahawk
immediately.
Public-domain text, read in full here on John Shaqi.
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