Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
At last, after we had become utterly depressed and out of spirits, there
was a little stir and the great doors at the side of the ballroom were
thrown open. First of all entered the Silver-Sticks in Waiting, a dozen
or so of them, backing in, two by two. All were, of course,
distinguished men of title and position; and they were dressed in
costumes in which silver was the dominant note and carried long wands of
silver. They were followed by the Gold-Sticks in Waiting--men of even
more exalted rank--and, finally, by the Royal Party. We all arose and
curtesied, remaining standing until their Highnesses were seated.
The concerts were called informal and therefore long trains and court
veils were not insisted on; but the men had to appear in ceremonial
dress--knee breeches and silk stockings--and the women invariably wore
gorgeous costumes and family jewels, so that the scene was one full of
colour and glitter. The uniforms of the Ambassadors of different
countries made brilliant spots of colour. The Prince of Wales and his
Princess simply sparkled with orders and decorations. I happened to hear
the names of a few of her Royal Highness's. They were the Orders of
Victoria and Albert, the Star of India, St. Catherine of Russia, and the
Danish Family Order. She also wore many of the crown jewels, and with
excellent taste on every occasion I have seen her. With a black satin
gown and court train of crimson, for example, she wore only diamonds;
while another time I remember she wore pearls and sapphires with a
velvet gown of cream and pansy colour. Such good sense and discretion in
the choice of gems is rare. So many women seem to think that any jewels
are appropriate to any toilet.
Tremendously august personages used to be in the audiences of those
Buckingham Palace concerts at which I sang then and later, such as the
Duke and Duchess of Teck, the Prince and Princess Christian of
Schleswig-Holstein, the Duke and Duchess of Cambridge, the Crown Prince
of Sweden and Norway, the Duke and Duchess of Edinburgh. Indeed,
royalty, peers of the realm and ambassadors or representatives, and
members of the court were the only auditors. In spite of this the
concerts were deadly dull, partly, no doubt, because everybody was so
enormously impressed by the ceremony of the occasion and by the rigours
of court etiquette that they did not dare move or hardly breathe. There
was one woman present at my first Buckingham Palace concert, a
lady-in-waiting (she looked as if she had become accustomed to waiting)
who was even more stiff than any one else and about whose décolleté
there seemed to be no termination. Never once, to my certain knowledge,
did she move either head or body an inch to the right or to the left
throughout the performance.
Public-domain text, read in full here on John Shaqi.
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