Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
Well--I went. Yet I felt very guilty about accepting a hospitality that
would have to be stretched so far. It was no joke to have me for a
guest. I knew well that we would be a burden on any household,
especially if it were a modest one. When I was singing I had to have
dinner at half-past four at the latest; I could not be disturbed by
anything in the morning and, besides, it meant three beds--for mother,
myself, and maid. In Providence we arrived at a tiny house at the door
of which I was met by the little woman of the train who was, as I had
surmised, the same one who had wanted me to kiss her. Supper was served
immediately. Everything was immaculate and dainty and delicious. Our
hostess had remembered some of the contents of the Delmonico hamper that
I had especially liked and had cooked them herself, perfectly.
She made me promise never to stay anywhere else than with her when I was
in Providence and I never have. In all, throughout the many years that
have intervened between then and now, I must have visited her more than
twenty times. During this period I have been privileged to watch the
most extraordinary development that could be imagined by any
psychologist. When I first stopped with her there was not a book in the
house. While everything was exquisitely clean and well kept, it was
absolutely primitive. On my second visit I found linen sheets upon the
beds and the soap and perfume that I liked were ready for me on the
dressing-table. She studied my "ways" and every time I came back there
was some new and flattering indication of the fact. Have I mentioned her
name? It was Martin, Mrs. Martin, and her husband was conductor on what
was called the "Millionaire's Train" that ran between Boston and
Providence. I saw very little of him, but he was a nice, shy man, much
respected in his business connection. He was "Hezzy" and she was
"Lizy"--short for Hezekiah and Eliza. They were a genuinely devoted
couple in their quiet way although he always stood a trifle in awe of
his wife's friends. She was about ten years older than I and had a
really marvellous gift for growing and improving. After a while they
left the first house and moved into one a little larger and much more
comfortable. They had a library and she began to gather a small circle
of musical friends about her. Her knowledge of music was oddly
photographic. She would bring me a sheet of music and say:
"Please play this part--here; this is the nice part!" But she was, and
is, a fine critic. Some big singers are glad to have her approval. As in
music so it was with books--the little woman's taste was instinctive but
unerring. She has often brought me a book of poetry, pointed out the
best thing in it, and said in her soft way:
"Don't you think this is nice? I _do_ think it is _so_ nice! It's a
lovely poem."
Public-domain text, read in full here on John Shaqi.
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