Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
Gounod was chiefly famous in London for the delightful recitals he gave
from time to time of his own music. He had no voice, but he could render
programmes of his own songs with great success. Everybody was
enthusiastic over the beautiful and intricate accompaniments that were
such a novelty. He was so splendid a musician that he could create a
more charming effect without a voice than another man could have
achieved with the notes of an angel. Poor Gounod, like nearly all
creative genuises, had a great many bitter struggles before he obtained
recognition. Count Fabri has told me that, while _Faust_ (the opera
which he sold for twelve hundred dollars) was running to packed houses
and the whole world was applauding it, Gounod himself was really in
need. His music publisher met him in the streets of Paris, wearing a
wretched old hat and looking very seedy.
"Why on earth," cried the publisher, "don't you get a new hat?"
"I did not make enough on _Faust_ to pay for one," was the bitter
answer.
CHAPTER XXIII
THE SEASON WITH LUCCA
After the London season and before returning to America we went to
Switzerland for a brief holiday. During this little trip there occurred
a pleasing and somewhat quaint incident. On the Grünewald Glacier we met
a young Italian-Swiss mountaineer who earned his living by making echoes
from the crags with a big horn and by the national art of yodeling.
There was one particular echo which was the pride of the region and, the
day we were exploring the glacier, he did not call it forth as well as
usual. Although he tried several times, we could distinguish very little
echo. Finally, acting on a sudden impulse, I stood up in our carriage
and yodeled for him, ending with a long trill. The high, pure air
exhilarated me and made me feel that I could do absolutely anything in
the world with my voice, and I actually struck one or two of the highest
and strongest notes that I ever sang in my life and one of the best
trills. The echoes came rippling back to us with wonderful effect.
The young mountaineer took off his Tyrolean hat and bowed to me deeply.
"Ah, mademoiselle!" he said, "if I could call into being such an echo,
my fortune here would be made!"
Our stay there was all too short to please me and the day soon came for
us to start for home. We crossed on the _Cuba_ of the Cunard Line, and
a very poor steamer she was. It was not in the least an interesting
trip. There was no social intercourse, because all the passengers were
too seasick to talk or even to listen. It seemed to them like a personal
affront for anyone not to succumb to _mal de mer_.
"You mean thing," one woman said to me, "why aren't you seasick!"
Public-domain text, read in full here on John Shaqi.
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