Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
"Sing something," she commanded.
Field obediently sat down at the instrument and sang several songs. He
had a pleasing voice and an expressive style of singing, and my mother
promptly sent for me. We spent some time with him in consequence,
singing, playing, and talking. It was an excellent "beat" for his paper,
and neither my mother nor I bore him any malice, we had liked him so
much, when we read the interview next day. After that he came to see me
whenever I sang where he happened to be and we always had a laugh over
his "interview" with me--the only one, by the way, obtained by any
reporter in St. Louis.
On one concert tour--a little before the English Opera venture--we had
arrived late one afternoon in Toledo where the other members of the
company were awaiting me. Petrelli, the baritone, met me at the train
and said immediately:
"There is a strange-looking girl at the hotel waiting for you to hear
her sing."
"Oh, dear," I exclaimed, "another one to tell that she hasn't any
ability!"
"She's _very_ queer looking," Petrelli assured me.
As I went to my supper I caught a glimpse of a very unattractive person
and decided that Petrelli was right. She was exceedingly plain and
colourless, and had a large turned-up nose. After supper, I went to my
room to dress, as I usually did when on tour, for the theatre
dressing-rooms were impossible, and presently there was a knock at the
door and the girl presented herself.
She was poorly clad. She owned no warm coat, no rubbers, no proper
clothing of any sort. I questioned her and she told me a pathetic tale
of privation and struggle. She lived by travelling about from one hotel
to the next, singing in the public parlour when the manager would permit
it, accompanying herself upon her guitar, and passing around a plate or
a hat afterwards to collect such small change as she could.
"I sang last night here," she told me, "and the manager of the hotel
collected eleven dollars. That's all I've got--and I don't suppose he'll
let me have much of that!"
Of course I, who had been so protected, was horrified by all this. I
could not understand how a girl could succeed in doing that kind of
thing. She told me, furthermore, that she took care of her mother,
brothers, and sisters.
"I must go to the post-office now and see if there's a letter from
mother!" she exclaimed presently, jumping up. It was pouring rain
outside.
"Show me your feet!" I said.
She grinned ruefully as she exhibited her shoes, but she was off the
next moment in search of her letter. When she came back to the hotel, I
got hold of her again, gave her some clothes, and took her to the
concert in my carriage. After I had sung my first song she rushed up to
me.
"Let me look down your throat," she cried excitedly, "I've got to see
where it all comes from!"
Public-domain text, read in full here on John Shaqi.
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