Memoirs of an American Prima DonnaKellogg, Clara Louise
General
Memoirs of an American Prima Donna
Kellogg, Clara Louise
Kellogg, Clara Louise, 1842-1916; Singers -- United States -- Biography
Emma Abbott did appalling things with her art, of which one of the
mildest was the introduction into _Faust_ of the hymn _Nearer My God to
Thee_! It was in Italy that she did it, too. I believe she introduced it
to please the Americans in the audience, many of whom applauded,
although the Italians pointedly did not. And yet she was always trying
to "purify" the stage and librettos! I have always felt about Emma
Abbott that she had _too much_ force of character. Another thing that I
never liked about her was the manner in which she puffed her own
successes. She was reported to have made five times more than she
actually did; but, at that, her earnings were considerable, for she
would sacrifice much--except the character--to money-getting. Indeed,
she was a very fine business woman.
I have spoken about George Conly's tragic death by drowning and of the
benefit the Kellogg-Hess English Opera Company gave for his widow. Conly
had also sung with Emma Abbott and, when the benefit was given, she and
I appeared on the same programme. She knew my baritone, Carlton, and
sent for him before the performance. She explained that she wanted him
to appear on the bill with her in _Maritana_ and, also, to see that all
donations from my friends and colleagues were sent to her, so that her
collection should be larger than mine. Carlton explained to her that he
was singing with Miss Kellogg and so would send any money that he could
collect to her. It seems incredible that any one could do so small an
action, and I can only consider it one of many little attempts to be
spiteful and to show me that my erstwhile _protégée_ was now at the "top
of the ladder."
Her thirst for profits finally was the indirect means of her death. When
Utah was still a territory, the town of Ogden, where many travelling
companies gave concerts, was very primitive. The concert hall had no
dressing-room and was cold and draughty. I always refused outright to
sing in such theatres, or else dressed in my hotel and drove to the
concert warmly wrapped up. Emma Abbott was warned that the stage in the
concert hall of the town of Ogden was bitterly cold. The house had sold
well, however, and the receipts were considerable. Emma dressed in an
improvised screened-off dressing-room, and, having a severe cold to
begin with, she caught more on that occasion, and suddenly developed a
serious case of pneumonia from which she died, a victim to her own
indiscretion.
CHAPTER XXVI
AMATEURS--AND OTHERS
In the seventies New York was interesting musically, chiefly because of
its amateurs. This sounds something like a paradox, but at that time New
York had a collection of musical amateurs who were almost as highly
cultivated as professionals. It was a set that was extremely interesting
and quite unique; and which bridged in a wonderful way the traditional
gulf between art and society.
Public-domain text, read in full here on John Shaqi.
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